The first song I recognized on this album is "Make Me a Pallet On Your Floor." I recognized it because Gillian Welch performs a version of the song on her Soul Journey album. Naturally, I had to compare the two. I am happy to report I like both versions of the song. Gillian Welch's version is filled with a pitiful, innocent sadness. In Thomas' hands, the song takes on a tired, worldweary feel peppered with dignity, resignation and a hint of anger. Thomas' interpretation of "Make Me a Pallet On Your Floor" seems to perfectly embody the plight of the Katrina victims — perhaps even more than other songs on the record that specifically mention storms or rain.
"Flowers" combines elements of country, gospel, soul, and R&B and that combination works better than I ever could have imagined. I don’t know which is the match and which is the gasoline, but the mixture creates a blazing fire. "These Honey Dos" sprinkles elements of jazz with some fine piano work. Thomas sounds completely at home even as different musical elements and sounds are incorporated. She is always center stage on these songs without ever sounding like she's competing for it.
After The Rain is my darkhorse pick to walk away with Album of the Year at tonight's BMAs. It wasn't the nominee I voted for, but I wouldn't be all that upset if it did win. This is a beautiful, deep, moving record that stands on its own and simultaneously stands for something greater.
Article comments
1 - Pico
Mighty fine write-up, Josh. I got this one last summer and I do think it's one of Irma's best.
2 - Josh
I suppose you're in the right geographic region to be all over a release like this, Pico. I wish I had gotten ahold of it sooner. I had to listen to it a few times to let it soak in for me but as soon as I started writing this it all just seemed to flow. I listened to the disc another couple times as I did and my fondness for it grew. It's a wonderful album.