The future of the blues is in crossover and evolution rather then preservation. The labels whose specialty was preservation of a traditional style are in trouble. I am not friends with those who constantly try to put blues music into a museum as an art form of the past. In general, the blues lacks performers that qualify as heroes. We have many solid players, but few real star personalities with charisma.
One final question, twelve years ago when you started Ruf Records you must have had an ideal of how you wanted things work out.
No, sorry this is wrong. I didn’t. I just did it because somebody needed to do it. And I worried about it later. Which was good. If I had predicted what I was in for, I might have changed my mind early on (smile).
Now twelve years later you have some the best known names in blues music signed with you from across three or four generations of musicians, playing all sorts of different styles and have just been recognized with the Keeping The Blues Alive Award for 2007 from the Blues Foundation. You must feel some sense of, if not accomplishment (which you should, in my opinion you've done wonders) at least vindication. Did you see any of this coming?
My artist, partner and friend Luther Allison died very suddenly, one album short from breaking through the roof, receiving a Grammy and giving Buddy Guy and Robert Cray a serious run for their money.
At first sight, his passing stole the fruit we so long worked for minutes before harvest time. With time passing, I realized that actually the path was the way. It did not matter as much how long it lasted – it was actually important that it happened while it lasted. It's not about if we ever got there.
It's about the quality between you and your fellows while you walk. I never had a similar, quite as close, trustworthy relationship with another artist. And I consider myself pretty close friends with most of my fellow artists. But it kind of set a human standard that I will never want to miss, am grateful for and never will compromise, really. I don’t care how profitable a project potentially could be – if it's not worth spending my personal precious lifetime working on it, it's a waste of time for me.
Well, that was the last question I posed to Thomas, and I can't think of a more appropriate place to end. It tells you a lot about the man and the label, and perhaps explains why they are having the success they are in signing quality performers. In 2007 Jeff Healy will be joining their roster as he makes his long awaited return to blues from his foray in jazz music, and we can look forward to new releases from Bob Brozman and Candye Kane and others as well in the new year.
![The New Generation [Region 2]](http://ecx.images-amazon.com/images/I/519s20lzb8L._SL120_.jpg)
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