An Interview with Howard Jones

Part of: An Interview with...

In the '80s you didn't have to listen too long before a Howard Jones song would play on the radio. Having scored a Top Ten single in 1983 with his first single, "New Song," the British musician solidified his debut the following year with the full-length effort, Human’s Lib, which was a worldwide hit upon entering the UK album charts at Number One. A string of hit songs followed — "Everlasting Love," "Things Can Only Get Better," and "No One Is To Blame," among them — with which Jones enjoyed a ubiquitous presence on the charts throughout the decade and beyond.

While classically trained on the piano, Jones has spent the better part of his career experimenting with and composing on synthesizers. However, for his latest album, Ordinary Heroes, he felt a change was in order. "I’d been collecting songs for about five years and I played a lot of acoustic shows during that time," Jones says. "I would test out the songs and develop them, really, on the road, which I think is the best way to develop a bunch of songs before you record them. So I had them all written and pretty much arranged before I sat down to start the record."

You had a set of preconceived ideas on how to record this album, right?

I thought the best thing to do in a recording world where you’ve got everything available — you’ve got amazing keyboards and you’ve got amazing software and you can have any sound you want from any country in the world — is to say, “Look, I’m going to give myself a certain set of rules for this record. I’m going to make sure it has a character of its own.” And I thought, right, the best way to do that: one piano part, one guitar part, a string quartet, one backing vocal, drums, and no overdubs of keyboards or big production things going on. Make it all about arrangement. Make it all about straightforward songs so that the lyrics can come through.

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Article Author: Donald Gibson

Donald Gibson is a freelance music journalist and the publisher of WriteOnMusic.com. His work has appeared at No Depression, Spinner, Cinema Blend, The Seattle Post Intelligencer, Something Else! Reviews, Salon.com, and Blogcritics, where he was the …

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Article comments

  • 1 - Josh Hathaway

    Jul 19, 2010 at 6:35 am

    Great stuff, Donald. Every decade has its detractors and each passing decade offers up something special and maybe even something great. Much of what was done in the '80s that was popular at the time no longer holds up for me. Howard Jones is an exception. I always liked his voice and his songs and still do. Some of the synth sounds don't quite work the way they did thing but because he had actual songs beneath the synths it still feels valid. Always liked the guy and glad he's still making music. Good work on this.

  • 2 - Scott M. Deitche

    Jul 19, 2010 at 2:13 pm

    "What is Love' really stands the test of time.

  • 3 - Songbird

    Jul 19, 2010 at 2:55 pm

    What a great interview-I used to love Howard Jones in the 80s! Great to find out what he has been up to!

  • 4 - Mark Saleski

    Jul 19, 2010 at 7:39 pm

    nice. i hadn't thought about "Things Can Only Get Better" in years. sure, it's pure nostalgia, but it's still a lot of fun.

  • 5 - El Bicho

    Jul 19, 2010 at 9:44 pm

    Good interview.

    I guess I could go look it up somewhere but has he been making music and releasing albums this whole time?

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