Here are the highlights from the 46th Annual Monterey Jazz Festival (09/19-21) in Monterey, Ca. It is a jazz lover's paradise with over 500 top name jazz artists on 7 stages for 3 days and 3 nights.
Jason Moran and The Bandwagon
My first music stop Friday evening was pianist Jason Moran and The Bandwagon. His trio included Tarus Mateen on acoustic electric bass and Nasheet Waits on drums. They performed three shows at the Coffee House Gallery. I caught him earlier in the week at Yoshi's and while the shows may have had similar openings, this show was definitely different. Wearing his trademark white felt fedora, he opened with his recorded "Bandwagon" intro and then broke into "Another One" which could scare a jazz purist who is looking for a familiar sound. His music is a journey in which he has a strong grasp on and respect for the past while blazing his own trail with sharp turns and curves along the way. He provides rambucous tremolos that rang out like a bell and rolled thunderously like waves on the ocean yet he is subtle and symphonic in his solo piano moments. He moved from a funk groove to a New Orleans funeral march and then to "Body and Soul" which is from his latest Blue Note release, Jason Moran and The Bandwagon. His set also included "Intermezzo, Op. 118, No. 2", "Out Front", "Planet Rock" and a very nice arrangement of "Estate'." Tarus and Nasheet brought color and texture to the set with their excellent solos. Jason's music challenges the listener's ears in new ways and that is exactly what we want our music to do.
Mary Stallings
Next up was the incredible vocalist Mary Stallings at the Night Club/Bill Berry Stage. Before she came onstage, there was a buzz in audience. Several people knew her from San Francisco, which is her hometown and where she currently lives. Her band came onstage and opened with "Green Dolphin Street." Mary came out in a sultry, red fitted dress and opened with "Old Devil Moon" with a sassy Killer Joe-like rhythm. Next, she took us down to the "Street of Dreams." She infused the bluesy "Sweet and Lovely" with some scatting and a mellow fade out on the end. Babatunde Lea came in on the drums, then Glen Pearson came in with an excellent piano solo and Mary swung in with "The Gypsy In Me." She slowed down the pace a bit with the Cole Porter ballad "You're Sensational." It was slow samba and she had a call and response with the piano. She delivered a smoldering version of "A Sunday Kind of Love". Babatunde gave gentle brush strokes on the drums and Glen tickled the ivories in a way that could make you shiver and the bass tied them all together. Mary made it her personal testimony. The crowd just ate it up. She closed with a hard swinging "I've Got Rhythm" and after a round of loud applause, she came back out and encored with "I Love Being Here With You." She kept us swaying, clapping, and toe-tapping all evening. Mary's latest recording on MAXJAZZ Records is Live at the Village Vanguard.
Article comments
1 - Eric Olsen
Ooh, great show, very fine review! Thanks. I love the Max Jazz performers in particular.
2 - David
I want to give an extra plug for Mary Stallings in particular. I think she's simply the best jazz singer around these days. I hope I get a chance to see her live some day.