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Music Review: Scarlet Hollow – What If Never Was

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Drawing from Celtic, Norse, and even some Pagan influence for the creation of their sound, SoCal prog-rockers Scarlett Hollow have released their first full-length album, What If Never Was, on Melodic Revolution Records. What If Never Was is a concept album, following up after their 2010 EP debut Sanctuary.

Even with two years of songwriting behind the album, What If Never Was still feels unprepared for the world. This is not a commentary on the production quality of the album. That is good, B-quality work. But a crucial step seems to be missing from the creative process of this unintentional concept album, which “tell[s] the tale of a person’s spiritual and emotional journey as they try to heal from the after effects of war,” according to singer/songwriter Allison von Buelow.

There is a great deal of potential in What If Never Was and from Scarlet Hollow as a whole, but for me, that potential was just at their fingertips, just barely beyond reach. Von Buelow struggles to reach certain areas within the range of her vocal line. One would expect, if she is writing her own music, she would choose to avoid those areas where her pitch wavers and falters and, even more so, areas where she is doing little more than speaking on pitch. And these rough areas are only emphasized by moments of awkward phrasing. Von Buelow alternates between breaking words on their syllables to adding so many extra syllables that the words are no longer recognizable. Words like night are reduced to a string of repetitious “i” sounds.

What If Never Was opens with promise. A driving hard rock rhythm eases into a melodic metal sound and shows what Scarlet Hollow truly has to offer. As an instrumental group, following the lines of acts like the Trans-Siberian Orchestra and David Garrett, Scarlet Hollow makes quite an impressive showing. And with a seven-minute track pulling listeners into the overall story of this concept album, it is well on its way to “epic.” Enter Allison von Buelow on vocals and that melodic power and strength begins to wane.

Instrumentally, considering the melodies and harmonies created in pitting acoustic guitar against electric, I could definitely add Scarlet Hollow to my ever growing collection of voice-free tunage. But dwelling on the negative, I simply cannot enjoy the vocals. There are too many little problems that add up to the one big one—that Allison von Buelow has written herself out of her own range.

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About D. Gabrielle Jensen

D. Gabrielle Jensen is a writer, cosmetologist and amateur photographer - not always in that order - who wants to live in several major cities, feels most at home in general admission at a small concert venue, and dreams of touring with a band as their private stylist and tour blogger and of honing her photography skills. She has tattoos handwritten by three of her music idols and hopes to continue the collection.
  • Amy Harburg

    I disagree with your statement about Allison’s vocal range. I think the songs were annunciated to convey more emotion. I know Allison personally, and I don’t think this is the case.

  • No disrespect here but Scarlet Hollow has so many many professional reviews raving about their work, and in particularly about the vocal quality of their singer, that when I saw this I just had to ask a few questions .
    1. Where exactly are these vocal Issues you claim to hear ?
    2. Is there something wrong with your playback device ?
    3. What bands do you normally listen to ?

    They use many exotic scales with middle eastern influences and I suspect that you just don’t get that part of the music. There is no drawn out use of the word night anywhere on the record btw. I listen to some of the most musical and musically sophisticated bands in the world, I have studied at Berklee college of music and Scalet Hollow is exceptional in the delivery of their music… I’m just saying : )