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Music Review: Horrorpops – Kiss Kiss, Kill Kill

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One of the more unique acts out there in the music world, The Horrorpops, released their third studio album Kiss Kiss Kill Kill earlier this year.  The Danish act with original members (who are also married to one another) Patricia Day on stand up bass and Kim Nekroman on lead guitar have been rocking out since 1996, thanks to their unique mixture of rockabilly, surf, psychobilly, and punk rock music.  They were a huge success overseas but it was not until around 2003 that the band got their US break thanks to Tim Armstrong’s (Rancid) label Hellcat Records.

Recently finishing up their mini-set tour on the 2008 Van’s Warped Tour, the band just announced their headlining fall tour in support of Kiss Kiss Kill Kill.  With bombshell Patricia Day’s giant stand-up bass and smoky singing, layered with Kim Neckroman assaulting his guitar, and Niedermeier's drumming, the band should have no problem entertaining the masses.

The CD seemed to have a rebel theme with the song titles and lyrics, with many in reference to many female films. The CD cover mimics a poster for a B-Movie.  The sound on their third release seems to keep the same as previous without going over any boundaries to make a significant change.

Opening track “Thelma & Louise” of course makes suggestion of driving just like Susan Sarandon and Gina Davis did in their girls gone wild of a film.  Patricia Day sings strongly in this track and the music backing her up is very catchy.   “Heading For The Disco?” already is played a lot over the airwaves, especially on Sirius Radio’s Faction.  The song is a bit poppy but still delivers the pop-rockabilly feel with bass plucking and drumming making you want to boogie down.

“Kiss Kiss Kill Kill” really sounded like the Cure at the beginning, that is until the harmonies began.  The song holds Patricia Day’s cries “Kiss kiss kiss me dantly, kill kill me quietly…” with a “woah oh oh oh” in the wake.  The song is a little gloomy, but I really dig the guitar playing.  It is a simple riff but is the type that sticks out.

Starting with what sounded like a repeat of a bass line from another Horrorpops release was “Everything’s Everything”.  The track about not wanted to let go of a complicated relationship was a reminder that this band is not about sunshine and rainbows.  Nekroman sturms away during “Private Hall Of Shame” with almost a southern rock feel to his playing.

By no means is this a traditional rockabilly/psychobilly band.  They stray away from the rest and incorporate their own style to make for a more unique feel.  On their third release, I say the Horrorpops still have it and I really enjoyed what I heard.  If you want real rockabilly this band may bestow you mixed feelings but if you are looking for something fun to listen to and have a good time, then this is the perfect release for you.

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