Home / Music / Music Review: Clutch – Strange Cousins from the West

Music Review: Clutch – Strange Cousins from the West

Please Share...Print this pageTweet about this on TwitterShare on Facebook0Share on Google+0Pin on Pinterest0Share on Tumblr0Share on StumbleUpon0Share on Reddit0Email this to someone

Drenched in whiskey and cheap cigarette smoke, Clutch’s ninth studio album is a scorcher of Southern-fried rock worthy of countless summertime porch-sittin’ spins.

Strange Cousins from the West comes infused with a heavy blues-rock elixir that fans of bands like The Black Keys will certainly dig. There’s a deep, awesomely soggy sense of funk working its way through this record too, sweetly coating every single note with thickness and importance.

Produced by J. Robbins, the cat behind the band’s 2005 Robot Hive/Exodus, Strange Cousins feels outrageously slick and funky. The songs are built on the backs of solid, stunning grooves and piled sky-high with Tim Sult’s exacting guitar riffs and vocalist Neil Fallon’s pressing concerns. Bassist Dan Maines and drummer Jean-Paul Gaster proceed with astonishing precision, filling the lower registry with killer fills and sly bass grooves.

“Motherless Child” kicks things off with tremendous slide guitar and blasts through breathtaking tempo shifts and chunky riffs. “Sometimes I feel just like a wandering dog,” Fallon sings just before Sult kicks it up for a lethal solo.

Fallon plays with vocal pacing on the terrific “50,000 Unstoppable Watts.” Built on a constantly-shifting backdrop, he belts with the fervor of a drunken preacher and sharply adds afterthoughts as though the sermon isn’t quite finished yet.

Strange Cousins from the West unpacks track after track of glorious blues-rock. The record flows like a sludgy backwoods stream and Fallon is the bearded crazy shrieking while he brews up some moonshine. There’s something ultimately natural to this brand of straightforward funky rock, but there’s also a sinister edge to it that makes the whole album deliciously evil.

“Freakonomics” fires up with little ankle-biting guitar riffs and quickly introduces Fallon as our shouting-and-stamping hero from behind the Pulpit of Rock. He works into a frenzy and the band is only too happy to match his pace. Sult pilots the chaotic boogie-woogie through the storm.

Whether it’s cavernous rumbles that gulp down luckless victims like the sea (“Abraham Lincoln”) or wild funky grooves that set listeners to dancing (“The Amazing Kresken”), Clutch’s Strange Cousins from the West sure do make for damn fine company.

Powered by

About Jordan Richardson

  • check out my acoustic cover of Clutch – Regulator

  • Thank you for this wonderful review. Clutch is without a doubt my favorite band, and your review of their latest touches on some of the reasons why…namely fun, hooks, intelligence and personality. There’s really just no one like them and they manage to pleasantly surprise even longtime fans with creative curveballs on every disc (i.e. Aglo Al Cambiado – their cover of an old song by an Argentinian blues band!).
    Most Clutch fans will site either Blast Tyrant or Robot Hive as their best discs, but there’s no denying Clutch just keeps delivering for their fans and Strange Cousins is just more proof.
    Long live Clutch.