Home / Film / Movie Review: Gone Baby Gone – Little Girl Lost and Boston at its Grittiest

Movie Review: Gone Baby Gone – Little Girl Lost and Boston at its Grittiest

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Gone Baby Gone takes place in the poorer neighborhoods of Boston, mainly Dorchester, where it’s also filmed. The story itself revolves around the case of a missing four year old girl, Amanda McCready (Madeline O’Brian). Amanda’s aunt Bea (Amy Madigan) hires the private detectives Patrick Kenzie (Casey Affleck) and Angie Gennaro (Michelle Monaghan) to help with the investigation on the assumption that because Patrick is at home in the neighborhood he can get more information than the police.

The Boston police take missing children cases seriously, mostly because of the personal history of the police chief Jack Doyle (Morgan Freeman), who has lost a child himself, so there is already a full media circus when the Patrick and Angie get involved. The police chief assigns detectives Remy Bressant (Ed Harris) and Nick Poole (John Ashton) to the case and they have a good report with the private detectives. It turns out that the girl’s mother, Helene McCready (Amy Ryan) is involved in drug running, and a user herself, and not the most suitable mother, which seems to have something to do with Amanda’s abduction.

The whole investigation crawls through the underbelly of the working class neighborhood with its petty, and not so petty, criminals, some of which are old friends of Patrick’s. It takes a sharp turn for the worse when a ransom is suggested by the drug dealer Cheese (Edi Gathegi) who is everyone’s prime suspect. There is an exchange at a quarry that winds up looking like Amanda simply ran off a cliff and was drowned. Patrick can’t stop worrying at the case, though, there are too many things that don’t add up.

The story is complex, but not confusing, multi-layered and rich. It’s got an undeniable feeling of authenticity which is certainly due to some extent to the fact that Affleck has chosen authentic locations and cast a lot of non-professional local extras that sort of make you go “where did he find these people?”. It gives the street scenes and the occasional interiors of bars and clubs a flavor of overall gritty reality that makes the story hit all the harder.

The performances in this are really outstanding. Amy Ryan as Helene gives one of those performances where you just want to slap her character for not understanding what her behavior does to her daughter. The cast in general is stellar, to the point where it’s actually hard to single out any particular performance as carrying more weight than any other.

There are several interesting moral questions raised here, not only through the details revealed in connection with the missing child case. There are further reaching implications than you can glean at a first glance and they are all treated with the same understated gravitas in the context given by the story. So, yeah, it’s not simple. There’s an undeniable air of Noir over the whole story too, which I personally really like. It’s not only realistic and understated, it also challenges the viewer to pay attention and stay with the story, despite how dark it occasionally gets. The characters are genuinely interesting and complex enough that whatever moral questions arise they don’t feel tacked-on and gratuitous.

Ben Affleck has done an excellent job of directing this movie, his familiarity with Boston certainly adds layers to his interpretation of the story and what looks like blatant nepotism at a first glance, choosing Casey Affleck for his lead, is actually a very smart choice.

Gone Baby Gone (2007) is based on a Dennis Lehane novel with the same title. Directed by Ben Affleck it stars Casey Affleck (Patrick Kenzie), Michelle Monaghan (Angie Gennaro), Morgan Freeman (Jack Doyle), Ed Harris (Remy Bressant), John Ashton (Nick Poole), Amy Ryan (Helene McCready), Amy Madigan (Bea McCready), Titus Welliver (Lionel McCready), Michael K. Williams (Devin), Edi Gathegi (Cheese), Mark Margolis (Leon Trett), Madeline O’Brien (Amanda McCready), Trudi Goodman (Roberta Trett) and Matthew Maher (Corwin Earle).

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  • Mule

    Sometimes the best stories are the ones that haunt you a bit, staying with you after you’ve seen them. A happy ending tacked on to this story would cheapen it to no end, at least that’s how I feel. Thank you for reading.

  • Dom Iannelli

    A very “haunting” story that you wish would have had a different ending….however, that would be an expected”hollywood”conclusion…and lose it’s impact. Goolishly wonderful.