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Movie Review: Borat!: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

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For those who are not familiar with Sacha Baron Cohen's Da Ali G Show and his character Borat, you're in for a treat. And for those who do know him, you won't be disappointed with this hilarious, raunchy, rowdy comedy.

Borat (Cohen) is a TV talk show reporter from Kazakhstan. He's sent to America to make a documentary on the "greatest country in the world," so Kazakhstan can learn from it. He and his crew arrive in New York City to do street interviews and report on American culture. When Borat sees Pamela Anderson in a rerun of Baywatch, he falls head over heeborat1ls for the actress and decides to drive across the country to California so he can marry her. He lies to his producer Azamat (Ken Davitian) and convinces him that they will document their trip about the "real" America, traveling south through the Heartland. Cultural shock ensues.

Cohen (Talladega Nights) is a true chameleon and he stays in character at almost all times. His Borat is crude, rude, and ignorant, but through his portrayal, he makes Borat funny and lovable at the same time. There are moments when his accent slips a bit and he comes off as less than sincere, but over all he holds up very wborat2ell and never truly breaks out of character. His Borat is genuine. That's rather remarkable considering the outrageous things he says and does and the sometimes violent and nasty reactions he gets. What's more remarkable though is that the whole film rests on his shoulders and he manages to hold our interest through and through.

Davitian (Holes) has a most unflattering role as Borat's grotesque producer. You have to hand it to the guy to make his character so believable and such a great support for Borat, including some of the most incredibly offensive scenes. Together with Cohen, they really go all out to make this work.

Cohborat3en uses the relative obscurity of Borat, and the guise of a foreign media reporter, to infiltrate the fabric of America and show us some of the truly outrageous aspects of the country. Borat might not be real, but the people he interacts with are, and their reactions to Borat are what make the fake documentary so funny. He gets to interview real politicians, celebrities, and everyday folks and, in the process, ruffles some feathers. Many of the scenes are cringe-inducing, including an interview at a feminist group, singing the national anthem at a rodeo, and learning dinner etiquette at a posh Southern home.

Granted, many of these premises have been exhibited on Da Ali G Show, so Coborat4hen is recycling his material, but they work wonderfully in the context of the film and, even if you have seen them before, they are still funny. Cohen adds to what was done before so that the hoaxes are now more elaborate. There are moments in the film that are beyond offensive and must be seen in a packed theater (preferably with college students) where everyone howls and claps at the same time. Kudos go to Cohen and company for going all out.

On their own, the skits are hilarious and superbly played out. On the whole, the film serborat5ves as a strange social commentary on how absurd we Americans can be. Cohen's comedy not only makes us laugh, but also makes us think. For example, when a prostitute shows up at a stately home, Borat and his companion are ordered to leave immediately. Similar things happen at the rodeo. It shows us that in the land of the free, not quite everything is free, and certainly not quite everything is acceptable. Cohen is able to make these observations from the eyes of a foreigner (albeit an idiot), and the notion of looking at ourselves carries a serious undertone on top of all the raunborat6chiness. Borat himself is a racial caricature, and the inherent racism and sexism in his character as well as the reactions he conjures really open our eyes. So, while we laugh our asses off we understand what Borat is really about. By telling the truth through his adventures, Borat gives Cohen, et. al., a comedic power that is beyond measure.

Stars: Sacha Baron Cohen, Ken Davitian, Luenell, Pamela Anderson
Director: Larry Charles
Writers: Sacha Baron Cohen, Anthony Hines, Peter Baynham, Dan Mazer, Todd Phillips
Distributor: 20th Century Fox
MPAA Rating: R for pervasive crude content including graphic nudity, language
Running Time: 84 minutes


Ratings:

Script – 7
Performance – 8
Direction – 7
Cinematography – 7
Music/Sound– 8
Editing – 8
Production – 8

Total – 7.8 out of 10

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