Home / Madeleine Peyroux – Careless Love

Madeleine Peyroux – Careless Love

Please Share...Print this pageTweet about this on TwitterShare on Facebook0Share on Google+0Pin on Pinterest0Share on Tumblr0Share on StumbleUpon0Share on Reddit0Email this to someone

I fell in love with Madeleine Peyroux right from the opening track of Careless Love, a cover of Leonard Cohen’s “Dance Me To The End Of Love,” and I remained under her spell throughout the entire album. I would suffer through many late nights in smoke-filled clubs just to allow myself the momentary delusion that we made eye contact because she makes both joy and heartbreak sound so good.

Madeleine has an amazing, sultry voice, reminiscent of a siren’s call. Not only does she become the character of the story she’s singing, she pulls both your mind and heart into the story with her, and sings directly to you. Her voice vacillates across the border between happiness and sadness, yet never completely crosses over into one state; no matter what the song’s mood, you never forget that love is a double-edge sword.

Critics relentlessly compare her sound to Billie Holiday, and yes, she does have a low, soft yet strong, sensual singing voice; however, more than that, Peyroux shares Holiday’s ability to take over a song and make it her own. She is fearless and not just because she tackles some of Holiday’s songs, which guarantee comparisons, but she also covers work by other musical giants: blues man W.C. Handy, country legends Hank Williams and Gene Autry, and present-day artists Bob Dylan and Elliot Smith. She even sings Josephine Baker’s “J’ai Deux Amours” in French. Ugh, how did she know foreign languages make me weak in the knees?

The band shuffles along at a dreamy pace that matches Peyroux’s voice. The music is fantastic and the album is suited for lying in bed on gray, rainy days or drinking alone all night. The band isn’t getting the credit they are due, so let me put an end to that injustice. They are Dean Parks (g), Larry Goldings (k), David Piltch (b) and Jay Bellerose (d). Minor players include Lee Thornburg on a muted trumpet on Hank William’s “Weary Blues,” and Scott Amendola plays brushes on “I’ll Look Around.” Hopefully, they will stay together and continue to make music.

Powered by

About Gordon S. Miller

Gordon S. Miller is the artist formerly known as El Bicho, the nom de plume he used when he first began reviewing movies online for The Masked Movie Snobs in 2003. Before the year was out, he became that site's publisher. Over the years, he has also contributed to a number of other sites as a writer and editor, such as FilmRadar, Film School Rejects, High Def Digest, and Blogcritics. He is the Publisher of Cinema Sentries. Some of his random thoughts can be found at twitter.com/ElBicho_CS
  • ClubhouseCancer

    Mr. El is correct about Ms. Peyroux being great. I reviewed this album here last month, and I’m glad someone else likes it.


    Her band on the album is just a studio construct and probably won’t tour with her.
    They’re all ringers — Goldings in particular is quite sensitive and tasteful here. Years ago, she toured with just pbd, with her playing an old Martin acoustic and singing sweetly. Nice.

  • Angie

    Has this lady fallen from the heaven’s with the soul of Billie Holiday? I fell in love with this c.d. from the first notes of don’t wait too long. I am so glad to see someone with such a magical voice doing so well in the industry. My hope is that she’s around for a very long time.