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Lollapoolza redux

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“What I really want to tell you is that most of the artists that commercial alternative radio broke in the late ’90s suck and are over,” [Marc Geiger, organizer of Lollapalooza 2004] offers.

This moment in irony is being brought to you by the good folks at William Morris Agency (or am I wrong in remembering that most of Lollapalooza’s success over the years came directly from commercial alternative radio?).

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