Alex Cox is best known as the director of the films Sid and Nancy and Repo-Man. However, anyone who has seen either of those movies will know he’s both an astute observer and intelligent commentator on both society and politics. It was the combination of those two elements which piqued my interest in his newest book, his third to date, The President and the Provocateur, an in depth examination into the assassination of the 35th President of the United States John Fitzgerald Kennedy. As the title suggests the book also deals with the man, Lee Harvey Oswald, who was arrested for the assassination and then in turn assassinated before he could stand trial.
With 2013 being the fiftieth anniversary of the assassination, November 23 1963, all the questions surrounding the two killings will once again come out into the open. For while the official word has always been Oswald both killed Kennedy and acted alone, there have been countless arguments over the years disputing this theory. Cox’s book is not just another conspiracy theorists rantings, it is a carefully put together, thoughtful and articulate history of both men, the times they lived through and the events surrounding the assassination. The picture he pieces together is of a President surrounded on all sides by powerful people who have a lot to gain from his death.
After reading the book, I was fortunate enough to be given the opportunity to ask Mr. Cox a few questions about what he wrote and how he came to write the project. I sent him the following questions by email and reprinted his answers verbatim without any editing. I hope this interview will convince of the integrity of his work and his motivations for writing the book in the first place. He has no axe to grind, nor does he openly support one theory over the other, save to call into doubt the official line of Oswald did it. His concern is to find the truth, and for us to want to find the truth as well.
You’re best known as a film director, why the switch in media? Aside from the obvious technical ones, how did your process differ in approaching this project from when you prepare for a film?
I’m a writer, too. I’ve written about 40 screenplays and published two books before this one. So it isn’t really a switch in media. Books and films complement each other and are equally worthwhile! The process of writing a book is more solitary than making a film, which is a group activity. But both involve preproduction, production, editing, and a deadline.
It’s been 50 years since Kennedy was assassinated, why do you think the subject is still relevant or people will still be interested in it?
It’s certainly relevant or Hollywood wouldn’t be putting a lot of money into a Tom Hanks film called Parkland in an attempt to convince us that the Warren Commission was right. Nobody believes that story any more — at least, no one who has researched the assassination — but as November 22 approaches we’ll see a lot of media energy and corporate money invested in expensive efforts to convince us that Oswald killed the President all on his own. Errol Morris is already making videos for the New York Times with that goal in mind. Oswald — lone assassin! It’s the one thing Noam Chomsky and Bill O’Reilly can agree on.
The murder of President Kennedy, in broad daylight, by riflemen who got away with the crime, sent a powerful message to the political and media class. Careers were made — think Dan Rather, think Arlen Spector — by those who supported the official version, no matter how ridiculous it was. The theft of the democratic franchise in 1963 still hasn’t been addressed. It needs to be, and those who profited from it need to be exposed.