Misha Shulman uses the physical storytelling style of Kerala, India to explore the story of Exodus from Pharaoh's point of view.
Read More »Editor Pick: Culture and Society
Theater Review (NYC): ‘On Set with Theda Bara,’ a Solo Show by Joey Merlo Starring David Greenspan
A modern-day genderqueer teen tracks down the ghost of silent film star Theda Bara in this whirlwind gothic-noir-camp solo show.
Read More »GLP-1 Journey: One Month In
It grieves me to see how much it costs to use these potentially life-changing medicines...but the lowest dose restored my willpower over food.
Read More »Theater Review (NYC): The Excruciatingly Brilliant ‘Bark of Millions,’ A Queer Rock-Opera Happening
Taylor Mac and Matt Ray's musical drag extravaganza honors millennia of queer history.
Read More »GLP-1 Journey: Week One
I just finished my first week on my GLP-1 weight loss journey. I'll be updating weekly on Blogcritics, so be sure to follow along!
Read More »Theater Review (NYC): ‘Prayer for the French Republic’ – Profound, Timely
In 'Prayer for the French Republic' questions are raised about the safety of French Jews with antisemitism on the rise. Wouldn't it be better to emigrate to Israel where it is safer?
Read More »Theater Review (NYC): ‘Ernie’s Secret Life’ – Exploring the Polar Icecaps of the Heart
With puppetry and magical realism 'Ernie's Secret Life', conceived during the pandemic lockdowns, warms the heart and sparks the sense of wonder.
Read More »Flash Fiction: New Year’s Grieve
Arthur Krump does what he has done every New Year’s Eve for the last 30 years – grieve.
Read More »Theater Review (NYC): ‘I Can Get it For You Wholesale’
'I Can Get it For You Wholesale' reminds us of the toxicity of materialism and the hypocrisy of religious prosperity messages that exclude humanity and neighborly love and decency.
Read More »Theater Review (NYC): ‘Spamalot’ Nothing Succeeds Like Excess
'Spamalot is a laugh riot that speeds by at a break-neck pace. The ensemble are clowns of high art, who know how to do comedy. Gobsmacking!
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