The Hobbit by JRR Tolkien wasn’t the first book I read, but it was pretty close. After Paddington Bear, the adventures of Bilbo Baggins and his dwarfish companions must have been a close second. To be honest it was so long ago I can’t even remember the first time I read the book. I do know, each time I go back to read the book is how surprised I am to discover how much of a children’s book it is. For unlike The Lord Of The Rings The Hobbit is written in very simple language and told in the broad tones of a child’s adventure story. It’s also very British, full of expressions and sayings familiar to any child who had spent time at boarding school or reading boy’s adventure stories.
When I heard director Peter Jackson was going back for another kick at the can by directing a movie version of Tolkien’s first book I admit to being rather surprised. It seemed like a lot of cost and expense to tell what is a rather simple story. On top of that, it’s just not as adult a story as the other books so he’d have to sexy it up somehow to give it a wider appeal.
The initial announcement that Jackson was going to film it in two parts only added to my doubts about the venture, so hearing it was being expanded into a trilogy made me wonder what the heck he was doing. However, I was still prepared to give him the benefit of the doubt. After all I had been sceptical of the whole Lord Of The Rings trilogy and had then like his adaptation. So when I walked into my video store and saw a copy of The Hobbit: The Unexpected Journey on the shelves, I didn’t even think twice about buying a copy.
I’m going to try and avoid giving away any of the surprises in store for you if you haven’t seen it yet, but I’m going to have to mention some things in passing in order to comment on what he’s done with the narrative. First of all he has made the decision to have an older Bilbo writing out the story just prior to the birthday party opening The Fellowship of the Ring. In this way he’s able to give the back story of the destruction of Dale and the kingdom under the mountain by Smaug right off the top.
Instead of hearing about the events second hand as we do in the book In this way Jackson utilizes the power of the camera to show us what happened. Of course once you’ve seen how he’s prepared to adopt the narrative to suit the needs of his media, you’re not going to be as surprised by some of the other changes he introduces later in the film. The most major change is how some subplots are made more important. In the book the troubles in Mirkwood Forest concerning somebody called the Necromancer are only briefly mentioned and at one point Gandalf leaves the company to go off and deal with the matter.
While we don’t hear anything more about it in the book, Jackson is obviously going to be dealing with it on screen as the trilogy progresses. Extrapolating from various tidbits of information included in The Hobbit, The Lord of the Rings and the latter’s appendixes he not only introduces the sub-plot, but a new character, Radagast (Sylvester McCoy) the Brown, one of Gandalf’s wizard compatriots. While this plot line has little to do with the story being recounted in The Hobbit, it is a piece of the overall story concerning Middle Earth and the finding of the Ring. Purists might decry it as being filler, but if done properly it will help place Bilbo’s adventures with the dwarfs in their proper context.
Jackson has also drawn upon the appendix ofLord of the Rings dealing with the history of the dwarfs to create an entirely new subplot. It involves vengeful Orcs and their really nasty chieftain who has a personal grudge against the dwarfs Bilbo’s travelling with dating back to a run in with them at the Mines of Moria after they had been evicted by Smaug. It looks like they’ll be having meeting up with him all the way through the trilogy. I can see these Orcs being part of the Battle of the Five Armies at the end of the story.