I put off buying this DVD for the longest time, mostly because I was so disappointed by Sting's previous Brand New Day Tour DVD. I've mostly enjoyed Sting's work, beginning with the landmark Police debut Outlandos d'Amour, and throughout most of his solo career, although he is beginning to lose me after those last few mediocre albums. I last saw Sting in concert during the height of his solo career on the Ten Summoner's Tales tour, and still yearn for that long-lost video from one of those great shows. As a Sting fan, I knew I would eventually have to pick up this DVD, but my curiosity peaked after discovering its ill-fated timing with the terrorist attack of 9/11.
Much like the excellent Bring On The Night video, All This Time begins with a documentary that follows the band as they come together at an exotic locale to rehearse for a concert that would culminate in the video. In early September 2001, Sting invited several gifted musicians to his beautiful Italian villa in the Tuscany hills to come together as a band, create new arrangements for many of his most beloved songs, and then rehearse them all for a concert that would take place less than two weeks later. This is all captured in a wonderfully intimate documentary that shows the musicians getting to know each other, doing a little partying, and jamming to some great music.
I could spend a few paragraphs describing the documentary portion of this DVD, but I will focus on the concert portion instead. The documentary concludes on September 11th, 2001, the day the concert was scheduled, and the day nearly 3,000 people lost their lives during the worst terrorist attack ever on American soil. The documentary captures Sting and the band as the events of 9/11 unfold before them, and they agonize over whether they can still carry on with the show.
By that afternoon, they do decide to go on with the show, but realize it cannot go on as originally planned. "What was to be a joyous occasion simply can't be," said Sting, just before the band decided on which songs no longer seemed appropriate after the day's events. The most obvious omission was the Arabic-inspired "Desert Rose", which features the vocals of Algerian singer Cheb Mami. This song was joyfully performed during the previous night's dress rehearsal but was dropped from the concert.
Sting's intention with this concert and subsequent album and video was to completely strip down and then rebuild these songs in order to keep them fresh, extend their life, and, more selfishly, to rejuvenate himself. Some of the songs take on such a different air of mostly intimate jazz and blues that they are nearly unrecognizable. Sometimes it works, sometimes it doesn't.
"Fragile" was a hauntingly somber opener that seemed to be written specifically as a memorial to the day's events. After a couple more melancholy ballads I was beginning to wondering if Sting and the band would be able to overcome the depressed mood that was clouding over them. Rousing back-to-back performances of "All This Time" and "Seven Days" certainly gave the impression that they would overcome. "The Hounds Of Winter", my favorite song from the underappreciated Mercury Falling album, was also an early highlight of the show. This was one of the few to be performed somewhat faithfully to the original but it felt much more electric with this band.
There were a few performances that just didn't work for me. Although Chris Botti is easily one of the world's best trumpeters, his muted playing throughout the otherwise rollicking "Every Little Thing She Does is Magic" was annoying and out of place. Where the soft acoustic rendition of "Roxanne" was carried by Sting's expressive vocals and upbeat jazz outro, the much shortened "Don't Stand So Close To Me" was nothing more than a boring ballad stripped of all of its emotional impact.
Sting's performance was obviously affected by the events of the day, and his vocals sounded weak on several songs. The stress of the day robbed him of the energy and passion that normally shines brightly, but was now diminished mostly to frustration, and sorrow. He appeared to be on the verge of tears throughout much of the show. The difference between the dress rehearsal performances and the main concert clearly shows the toll that the news of 9/11 took on the band, and especially Sting.