When filming any period piece television and film makers take great pains to make everything as authentic as possible. Whether it’s ensuring the clothing people wear or the sets they act on are accurate representations of the period or they’re speaking in dialects appropriate to the age, the attention to detail is remarkable. Yet for all the care taken film makers will still slip up in one crucial area by allowing characters to react in a matter reflecting modern attitudes and sensibilities. Perhaps I’m the only who finds it jarring to see anachronisms in behaviour, but when a character in a movie set in the 1950s expresses opinions more in line with the 21st Century it can ruin the whole show for me.
In fact, the closer a piece is to being contemporary the harder it is to ensure characters stay consistent with the tenor of their times. Especially difficult are those eras when a society is going through a period of radical change as it’s tempting to allow characters to become caught up in events and ignore the reality of their situation.
Like everywhere else, the north of England in the second half of the 1960s was a society divided between those hell bent on preserving the comfortable world of their youth and those who weren’t going to be satisfied with the world of their parents. While this type of atmosphere could provide complications for a police force, the law stays the law, and no matter what’s going on it has to be enforced. While that might sound somewhat inflexible, in the hands of Inspector George Gently (Martin Shaw) in George Gently: Series 4, released on DVD July 3 2012 by Acorn Media, it provides a moral compass which helps him steer a smooth course in turbulent times.
Teamed up once again with his young Sergeant, John Bacchus, (Lee Ingleby) the two 90-minute episodes of Series 4 bring the two officers face to face with the shifting moral ground of the times. In the first the death of a female secondary school student takes them into the fantasy world of pop music and romantic poems. In episode two the officers have to deal with a case of local authorities wanting to not only maintain the status quo but turn the clock back in order to keep the peace. While each case is different, the two are forced to put their personal opinions and feelings aside and rely on the letter of the law in order to reach correct conclusions.
As viewers of previous series are aware, despite his youth and appreciation for some of the material changes occurring, flash cars and sharp suits, Bacchus is the more conservative of the two when it comes to social issues. However, this doesn’t make Gently some sort of advocate for change. It’s just that he’s seen more of life than his junior, but instead of it turning him cynical and bitter it has made him more compassionate and understanding of others and their situations. Yet no matter how sympathetic he might be towards a person and their circumstances, he’s firm in the belief that nobody is above the law. It was this belief which ran him afoul of his fellow officers when he served in London, he refused to turn a blind eye to police officers on the take, and continues to make him the bane of anyone who tries to obstruct or take the law into their own hands.
While the opinions and views of both Bacchus and Gently might seem a little dated or old fashioned to today’s viewers, and the object of some derision among those they end up dealing with in their cases, they are consistent with people in their line of work and background for the time period.
In the first episode their investigation takes them into the strange world of teenage girls on the verge of becoming women. Unlike earlier generations whose rebellion might have taken the form of illicit cigarettes, these girls are demanding independence and dreaming of being more than just dutiful wives and mothers. While this serves to muddy the waters of the circumstances surrounding the case of the girl who was murdered by introducing a number of potential suspects, including the host of a pop music show and one of the girl’s teachers, it also shows the strength of the series’ writing.