September 9th, 1956. The night of a "really big show" on that new-fangled television contraption. It was the first of three separate appearances that Elvis Presley would make on the seminal variety program The Ed Sullivan Show. Now, on technology that would have been considered fantasy back then, you can watch those performances, and the full shows as well, on a brand new Special Edition Three Disc DVD collection entitled Elvis Presley: The Ed Sullivan Shows.
This set shouldn't be thought of for only fans of Elvis though. It should also be of interest to those that into the whole '50s culture and/or the history of modern entertainment. Every one of the discs is a time capsule of what was considered cutting edge production at the time and a view into what was called entertainment for the entire family.
To start with, each disc contains the entire show that Elvis was a part of, from beginning to the end credits. Which means that you see it all, the tap dancers, comedy acts, acrobats, everything up to and including the commercials. At that time, all commercials were done in the studio on air, although cartooning or film clips were often part of the ads, and the host would either read the words themselves or a product spokesperson would. Most of the time, there would only be one sponsor per show and since the commercials were live, they would run anywhere from twenty five seconds to almost three minutes in length. A very laid back approach to advertising when you compare them with the TV ads today, most of which have the production values of major motion pictures.
And the other acts – definitely squaresville if you were the hipster/beatnik type. But the ratings, especially with Elvis on board, give us a reminder that this was Main Street U.S.A. out there and hungry for entertainment. Ed Sullivan hosted a smörgåsbord of talent to fill that need. I watched all three shows in their entirety and not many of the acts stood out in my mind, even a few hours after re-viewing them. A very young Carol Burnett, who would in later years become known as a musical comedienne hosting her own skit comedy show, did a series of impressions. OH…Toby the Dog. I loved Toby the Dog and the little routines that he and his owner did together, very cute and you could see the love between those two partners. The rest of them? Sorry to say, that no one on any of the shows could hold a candle to that young man from Memphis, Tn.
All three discs, also covering Elvis' appearances on October 28, 1956 and January 6, 1957 (two days before his twenty second birthday) have a special features section. Now this part, on each, is an Elvis lover's dream. There they have spliced together E's songs on that night and show them back to back – no other acts or commercials!
Then there are interviews, short but some quite nice. Sam Phillips, founder of Elvis' first label, Sun Records, is the first questioned followed by others like Jerry Schilling (member of the Memphis Mafia and author of Me And A Guy Named Elvis), Gordon Stoker (of the Jordanaires, Elvis long-standing backup singers) and television host Wink Martindale. Each disc has it's own special features different than the others including home movies from Jerry's personal collection.
A fact that might have gotten lost somewhere down the road is that Mr. Ed Sulllivan himself was not the host for his own show, that first of Elvis' three performances. He had been involved in a very serious accident a month before and throughout his recovery, different popular celebrities took over for him. So, instead of Ed, the host for this premiere occasion was British actor Charles Laughton. Known primarily for his dramatic roles (like Bligh in Mutiny On The Bounty) and numerous Broadway productions, he took on this role as Emcee with great relish and dry Brit humor. I'm not quite sure if he was always that jolly, but he really looked like he was having a wonderful time. Totally makes this first disc in the set, for that September 9th show, the best of the lot.
Remember, these recordings are over 50 years old and not filmed or taped but aired via kinescope — an old process used in the beginning days of television — but the quality both audio and visual are clean and clear. The one thing that wasn't done, thankfully, was colorization. Despite the fact that all of the Ed Sullivan Show materials are in black and white, Elvis Presley transcends that medium and is spirited and as bright.
Here I am, so excited about owning this set and having more Elvis to watch whenever the urge strikes, that I almost forgot to tell you about the songs that he sings on each show and thus are on each disc. Elvis loved to perform for his fans, especially in those exciting beginning days of his career, and while there are only really only nine tunes played here, the multiple performances are none the worse for wear.
Disc One, September 9, 1956: Elvis debuted the title track for his upcoming movie Love Me Tender, even though it wasn't even available to buy in the shops. In fact, this show was recorded from the CBS Studios-Television City in Hollywood, California where Elvis was still filming his first feature movie. Following that were "Don't Be Cruel," "Ready, Teddy" and "Hound Dog."
On Disc Two, from October 28th of the same year, he again played "Don't Be Cruel," "Love Me Tender," and "Hound Dog," but added one more tune, the Lieber/Stoller penned "Love Me."
Finally, Disc Three, on January 6, 1957, Elvis made a medley of "Hound Dog," "Love Me Tender," and (for the first time on Ed Sullivan) "Heartbreak Hotel." Right after that he again performed "Don't Be Cruel." Later on in the show, "Too Much" and "When My Blue Moon Turns To Gold Again," are sung back-to-back. One final song closes out that final performance: a soulful version of one of the gospel songs he loved so dearly, "Peace In The Valley."
The packaging for this set is well thought out as it folds out for easy access to all three DVDs. Inside is also a booklet, liner notes, written by well known rock critic, author, editor and historian Greil Marcus. While Greil has put pen to paper about Mr. Presley before, for these notes he concentrates on these three special nights, how they affected him and the world in general.
What struck me most about this set was how well it represents the face that Elvis put on for us. Even back in those early days, he knew how to work a crowd, enjoy the music, and draw people in with his own humility and grace. And that is not something that time or money can buy, though many have tried. He had it all, right from the start to the bittersweet end; but the end is almost too sad to bear for those of us who are Elvis fans. It's a very cool thing to be able to have this collection, and be reminded of this beautiful man and all he gave the world – the world back in the 1950s and the world today.Powered by Sidelines