Today on Blogcritics
Home » Film » DVD Review: Classic Albums: Tom Petty and the Heartbreakers/Damn The Torpedoes

DVD Review: Classic Albums: Tom Petty and the Heartbreakers/Damn The Torpedoes

Please Share...Tweet about this on Twitter0Share on Facebook0Share on Google+0Share on LinkedIn0Pin on Pinterest0Share on TumblrShare on StumbleUpon0Share on Reddit0Email this to someone

Tom Petty and the Heartbreakers had already achieved some success with their first two albums, but it was with their third, Damn The Torpedoes, that they really hit it big. Containing such radio staples as “Refugee,” “Even The Losers,” “Don’t Do Me Like That,” and “Here Comes My Girl,” the 1979 LP in many ways remains the band’s defining work.

As the subject of the latest installment of Eagle Rock’s Classic Albums series, Damn The Torpedoes is examined in depth by the musicians and studio technicians who created it as well as by other discerning commentators.

A typical Classic Albums episode provides a fair amount of back-story to set the album in question into the context of its era and its creators’ career. However, perhaps because the 2007 Peter Bogdanovich documentary, Runnin’ Down a Dream, already covered such ground in detail, what’s presented here concentrates more on the actual making of Damn The Torpedoes rather than the circumstances surrounding it.

Petty 79In doing so, Petty recalls plenty of perceptive anecdotes and kernels of wisdom — “I was always good,” he jokes at one point — but the most enlightening insights come from keyboardist Benmont Tench and guitarist Mike Campbell, both of whom are avid students of their musical influences and cognizant of how those influences manifested on Damn The Torpedoes.

In one particularly enlightening scene, Campbell demonstrates how he worked from an Albert King riff to craft the basic chord structure of “Refugee,” which (though he doesn’t say so) draws a distinct parallel to Petty and the Heartbreakers’ latest album, the blues-influenced Mojo. What’s most apparent in a general sense, though, is that the band’s ability to deconstruct their own songs isn’t in any way compromised by the fact that they wrote them.

The bonus material (which runs almost as long as the near-60-minute main feature) continues in much the same vein and is every bit as interesting and informative. Altogether, it makes for one of the best, most informative editions of the Classic Albums series.

Powered by

About Donald Gibson

Donald Gibson is the publisher of www.writeonmusic.com and a freelance music journalist whose byline has appeared in such publications as No Depression, Spinner, The Seattle Post Intelligencer, Cinema Sentries, Blinded by Sound, and Blogcritics, where he was the Senior Music Editor (2011-2012) and Assistant Music Editor (2008-2011). He has interviewed and profiled such artists as Tony Bennett, Lucinda Williams, Jakob Dylan, Allen Toussaint, Boz Scaggs, Charli XCX, Justin Hayward (The Moody Blues), Susanna Hoffs, Bruce Hornsby, Delbert McClinton, Jonny Lang, Alan Parsons, Bill Frisell, Joan Armatrading, Christina Perri, Don Felder (The Eagles), Jimmy Webb, Katie Melua, and Buddy Guy, among many others.