Home / Film / DVD Review: Bob Dylan – 1978-1989: Both Ends Of The Rainbow

DVD Review: Bob Dylan – 1978-1989: Both Ends Of The Rainbow

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The years 1978 to 1989 were rough ones for Bob Dylan. Both Ends Of The Rainbow is a two-hour DVD featuring interviews with musicians and journalists about this period. It also features numerous video clips, including many live versions of songs written and recorded during this 11-year period.

The combination of interviews and performances on this DVD paint of vivid picture of an artist in crisis. It is unfortunate however that Dylan himself chose not to participate in this documentary in any way.

The DVD starts out with a brief discussion of Dylan’s 1978 LP Street Legal, the disappointing follow-up to his acclaimed Desire. Following it's lackluster tour, Dylan was introduced to the Vineyard Christian Fellowship by members of his band.

The reverberations of Dylan’s conversion to Christianity have resonated in his career in various ways ever since. The most obvious results were the trilogy of "Born Again" records he released between 1979-82. Slow Train Coming, the first of the three, was positively received for the most part, and charted at number three on Billboard.

Interviews conducted for this DVD with journalists and former musicians make it clear that had Dylan stopped here, his audience would have most likely remained intact. But it was not to be.

Saved and Shot Of Love were vilified by critics and the public. In his on-screen interview about Saved, Johnny Rogan says simply: “It was a catastrophe.“ The third and final recording of this era, Shot Of Love was produced by Chuck Plotkin and he mentions how much better he thought the LP could have been had Dylan allowed him to actually produce it.

Sly Dunbar and Robbie Shakespear are both interviewed on the DVD for their contributions to Dylan’s 1983 Infidels album. Although Infidels is by no means Blood On The Tracks, it certainly had it’s moments. The live footage of Dylan singing “Jokerman” at the time is a highlight.

For the following six long years Dylan seemed adrift. Whether it was his disastrous performance at Live Aid (which the footage confirms) or the rotating musicians and studios he utilized, nothing seemed to work.

Empire Burlesque, Knocked Out Loaded, and Down In The Groove lacked all sense of purpose, marking a troubling first for Bob Dylan. They were generic “Eighties” music in every sense of the word, and for the most part, pretty awful. The many interviews with musicians, journalists, and producers recorded especially for this DVD set testify to this, and to what might have been.

One day Dylan received a call from old friend George Harrison, who wanted to use his home studio to record a few demos with “some friends.” The friends turned out to be Roy Orbison, Tom Petty, and Jeff Lynne. The five settled on The Traveling Wilburys as a name.

Their record was a smash in 1988, and showed Dylan the way back out of the wilderness. Rather than chase the MTV flavor of the moment as he had been doing, it was time for Dylan to get back to basics, and just be himself again.

The two-hour DVD ends on a positive note with the 1989 release of Oh Mercy, hailed as one of his all-time best by some. It was unquestionably his best since Desire at least, which the critical and fan response bore out.

The 1990s were just around the corner, and would present a whole new set of tribulations, and accomplishments. But that is a story for another documentary.

The few extras included in this set are fairly unimpressive. There is an eight-minute feature concerning some interviews Dylan gave in '79-'80 to various radio stations, and a text-only biography section for the 17 contributors who appear in onscreen interviews.

Both Ends Of The Rainbow is advertised as a two-disc set, which is technically correct. But the second disc is an audio-only CD featuring an hour’s worth of radio interviews from '79-'82, the heavy-duty Christian era. Interesting but hardly essential.

For serious Bob Dylan fans however, I think the two hour DVD is essential. Both Ends Of The Rainbow sheds a lot of light on events that were somewhat bewildering at the time for many of us. In that regard, it is recommended

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About Greg Barbrick

  • Good review, though I have to mildly disagree on just a few points.

    With regard to the born again albums, I don’t think its entirely fair to label Shot of Love a disaster. It’s definitely uneven…but let’s not forget that “Every Grain Of Sand,” which most Dylanologists agree is one of his very finest ballads, came from Shot Of Love. Another great Dylan song, the Highway 61’ish rocker “Groom’s Still Waiting At The Altar” also came from those sessions, showing up as a B-side.

    So although Shot Of Love is hardly his best, it did have it’s moments. As did Street Legal…”Changing Of The Guard” for example is just a great Dylan tune.

    Now, those late eighties albums like Knocked Out Loaded etc….those I will agree were disasters.


  • Greg Barbrick

    Thanks Glen. I hear you about those two Shot Of Love songs, they were pretty good ones. But still, most of us were calling it Shot Of Shit at the time. BTW, “Groom’s Still Waiting At The Alter” is on the reissue as a bonus track.

  • Montague

    The writer never met a cliche he didn’t like.

  • Montague, when making that kind of comment, even when it is unfounded (which it is), you would have had at least a scrap of credibility if you weren’t using a cliché yourself. :-p

  • kev Bouttell

    Pretty fair review, though I think you are a bit harsh at times! In fact, in retrospect, Street Legal is a wonderful batch of tunes, a musical and lyrically impressive LP, especially since the remastered version was issued. I actually found Dylan around this Born Again time (though by no means a christian myself!)and the trio of so called born again LP’s actually contain some very inspiring music. Pity abvout most of the rest of the decade tho!!

  • Pitsku

    I’ve just bought the dvd on Amazon so don’t yet know if it’s a good review or not. It SOUNDS good (genuine) and the clip on Youtube about Brownsville Girl is a little gem. As for the discussion on the albums, you’ll always get varying opinions and they never really matter much (it’s doom alone that counts) but for the record I love Street Legal (“this weekend in Hell is making me sweat) and I love Shot of Love (“hopes all things, won’t pull no strings”). The proof is always in the pudding and I haven’t listened to Saved or Slow Train for years (though saying that makes me want to put them on!) and those others do seem to be a bit of a dead end street. Then again, my son Terry speaks highly of certain tracks and I’m still much older than he is now.