Feature: StageMage

Theater reviews and articles from New York, Los Angeles, London, and all around the world.

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• Interview with Nora Samosir, of Pursuant: A Musical by Singapore Lyric Opera

  Nora Samosir talks about acting in Pursuant: A Musical by Singapore Lyric Opera.

  Interview by Sharmila — on May 20, 2013

• Theater Review (NYC): White Hot by Tommy Smith

  This taut, anxiously intellectual drama baffles expectations and boasts marvelous performances.

  Review by Jon Sobel — on May 09, 2013

• Theater Review (Baltimore, MD): American Idiot

  The Tony Award-winning rock musical hits Baltimore on a short one-week layover.

  Review by malexandria — on May 09, 2013

• Theatre Review (Singapore): Gruesome Playground Injuries by Rajiv Joseph

  World-In-Theatre's production proves to be a mismatch between actors and play.

  Review by Sharmila — on May 07, 2013

• Theater Review (Washington, DC): Show Boat by Franchesca Zambello at The Kennedy Center Opera House

  1927 Broadway Class Show Boat comes to The Kennedy Center in a lavish new production.

  Review by malexandria — on May 06, 2013

• Theater Review (NYC): Honey Fist by August Schulenburg

  This implausible by satisfying story concerns a group of buddies who resent their old friend making movies based on their lives.

  Review by Jon Sobel — on May 05, 2013

• Theater Review (Seattle): Boeing Boeing at Seattle Repertory Theatre

  Seattle Rep's perfectly executed farce is a kinetic marvel.

  Review by Dusty Somers — on Apr 30, 2013

• Theater Review (LA): Crumble by Sheila Callaghan

  Sheila Callaghan's surreal 2005 drama receives an impressive revival at Theatre 68 in Hollywood.

  Review by Kurt Gardner — on Apr 30, 2013

• Theater Review (LA): Peter Pan: The Boy Who Hated Mothers at Blank's 2nd Stage

  J.M. Barrie's classic story gets the adult treatment in an enchanting production at Blank Theatre Company's 2nd Stage.

  Review by Kurt Gardner — on Apr 29, 2013

• Theater Review (NYC): Scrambled Eggs

  Turning your life into a play is a dangerous game – dangerous for audiences, that is. But Scrambled Eggs is a deliciously prepared comedy omelette.

  Review by Jon Sobel — on Apr 28, 2013

• Theatre Review (Singapore): The Importance of Being Earnest by Oscar Wilde

  Wild Rice's all-male production is funny and alluring.

  Review by Sharmila — on Apr 20, 2013

• Interview: Daniel Jenkins and Daniel Francis of Singapore Repertory Theatre's Othello

  Two actors from the Western world answer some pertinent questions about the play, and about working in Singapore.

  Interview by Sharmila — on Apr 20, 2013

• Theater Review (LA): The Miracle Worker at Actors Co-op

  William Gibson's Tony award-winning 1959 classic receives a nicely-performed but complicatedly-staged revival in Hollywood.

  Review by Kurt Gardner — on Apr 15, 2013

• Theater Review (NYC): Julius Caesar (The Royal Shakespeare Company)

  Re-imagined in modern-day West Africa, Shakespeare's great Roman tragedy feels like an astounding new work.

  Review by Jon Sobel — on Apr 14, 2013

• Theater Review (NYC): Living Dead in Denmark by Qui Nguyen

  A revival of a Shakespeare-zombie mashup doesn't quite coagulate at the Gene Frankel Theatre.

  Review by Jon Sobel — on Apr 13, 2013

• Theater Review (Washington, DC): The Mountaintop by Katori Hall at Arena Stage

  This uplifting, moving and sometimes hysterically funny play is about Martin Luther King, Jr's last night at the Lorraine Hotel.

  Review by malexandria — on Apr 10, 2013

• Theater Review (NYC): Eterniday by Chuck Mee

  This joyful dance-theater collage revels in high spirits but withholds deeper meanings.

  Review by Jon Sobel — on Apr 07, 2013

• Theater Review (NYC): The Mistakes Madeline Made by Elizabeth Meriwether

  A sharp comedy by the creator of Fox's New Girl gets an excellent Off Off Broadway revival.

  Review by Jon Sobel — on Apr 05, 2013

• Theater Review (NYC): Cyndi Lauper and Harvey Fierstein's Kinky Boots on Broadway

  This sparkly, high-spirited musical isn't subtle or terribly deep, but has an endearing story and appealing music.

  Review by Jon Sobel — on Apr 05, 2013

• Theater Review (NYC): The Picture of Dorian Gray

  There's a reason Oscar Wilde wrote this story as a novel, not a play.

  Review by Jon Sobel — on Apr 02, 2013