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Faith and courage to find God in daily life with love and sex are hot topics and given different treatments in two plays in L.A.
Ray Bradbury's Autumn People is a slight commentary on people in an old-fashioned science fiction framwork.
The Furious Theatre Company presents a witty black comedy, Back of the Throat, about Muslims in post-9/11 America.
Watching Laurence Fishburne is delightful, yet one gets the feeling Alfred Uhry has dumbed things down.
Steven Dietz’s Sherlock Holmes: The Final Adventure, at the Pasadena Playhouse, is a pleasant, romantic comedy that might displease purists.
Under the sensitive direction of Chay Yew, Julia Cho's provocative The Winchester House, Pasadena's Boston Court Theatre, explores the architecture of traumatic memories.
Imagery is everything in this lushly visual, overlong musical revival now playing at the Ahmanson Theatre in Los Angeles.
In 1943, Franz Jagerstatter died for his fellow Austrians, Christianity, and Austrian Jews. Once he was thought a fool, now a hero.
The Cornerstone Theater Company's adaptation of Shakespeare's As You Like It takes gender-bending into sexual preference politics at the Pasadena Playhouse.
George Bernard Shaw’s war satire gets sparkingly revival by Glendales' classic repertory theater, A Noise Within.
The Theatre at Boston Court in Pasadena, CA presents a timely production.
Ahmanson's "The Importance of Being Earnest" in Los Angeles has top notch production values yet the play suffers from the audience's familiarity.
In its world premiere at the Los Angeles Mark Taper Forum, the play wanders aimlessly and indecisively, failing to make a cohesive point about American imperialism.
One of the wonderful things about living near Hollywood is that you get a better crop of actors available for faithful favorites.
By placing a racial template on Shakespeare's classic play, "Othello," we are perhaps missing the true feeling of exoticism and the tenuous visual divide between black and white.
When a younger girl inspires an older man, ignoring the feelings of her family and stepping into a paternalistic relationship, is that something worth jumping on couches over? Henrik Ibsen's 1892 play, "The Master Builder," mixed mythology with social commentary and Glendale's A Noise Within presents a complex psychological portrait of a man seduced by youth.