It's not the details of the preposterous plot that make it work; it's the skillful way Goldsmith wove them together and his sly, fluid way with dialogue. And it's not any of these fine performances individually that galvanize this revival; it's the brightly colored vision saddled up by the director and the gifted creative team, and the gusto with which the actors take the reins.
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Interview: Singer Anne Carrere and Musician Guy Giuliano on ‘Piaf! The Show’ in Paris – Part II
'Edith Piaf is unique, singular. If you try to imitate or mimic Piaf? It’s not possible. But if Anne tries to fulfill Edith Piaf with her soul, she can reach people because she is herself.'
Read More »Theater Review (NYC): ‘8th Annual H. P. Lovecraft Festival’ by Radiotheatre
Radiotheatre's rotating series featured "The Call of Cthulhu" and "The Horror at the Museum" at last night's show.
Read More »Interview: Singer Anne Carrere and the Musicians of ‘Piaf! The Show’ – Part I
The four artists discuss the show and the tour - and compare food and wine notes from France and the U.S.
Read More »Theater Review (San Antonio): Stephen Sondheim’s ‘Sweeney Todd: The Demon Barber of Fleet Street’
The Woodlawn Theatre offers up a bloody Halloween treat with an absolutely superb production of Sondheim's deliciously dark musical.
Read More »Theatre Review (Philadelphia): ‘Grounded’ by George Brant Delves into Drone Warfare and PTSD
Instead of being deployed half a world away, a drone pilot can drive home to her family every night – until war and home jumble and the separation between the two is erased.
Read More »Theater Review (San Antonio): ‘Marriage Play’ by Edward Albee
Even minor Albee is still Albee — a voice, now silenced, that will be much missed in American theater.
Read More »Theater Review (NYC): ‘Hedda Gabler’ by Henrik Ibsen
The sharp poignancy of Ibsen's classic comes through strongly in a flawed but sincere new production by the young company The Instigators. The tragic story of an unhappy young wife whose hopes of a glorious future of social ascendancy are being dashed before her eyes rings as true today as it did when Ibsen wrote it 125 years ago.
Read More »Interview: Gil Marsalla on His Production ‘Piaf! The Show’ in Paris, France – Part II
"We are at the stage that we are ready for Broadway. We have promotional videos and I am thinking that we might be on stage on Broadway for five or six months."
Read More »Interview: Tim Hedgepeth, Director of Edward Albee’s ‘Marriage Play’ at San Antonio’s Classic Theatre
The director talks about Albee's enduring legacy as well as the rewards of staging one of the playwright's less frequently seen works.
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