At Seattle's Neptune Theatre, Patti Smith and her band seemed hellbent to prove that not only is rock not dead - neither is she.
Read More »Theater
Theater Review (NYC): Losing My Religion: Confessions of a New Age Refugee by Seth Lepore
Lepore plays a variety of gurus and coaches showing you the way to enlightenment while divesting you of your cash and dignity.
Read More »Interview: Edward Einhorn, Artistic Director of UTC61, on Directing Greek Drama
Mob rule, Euripides, and the Arab Spring in a new production of Iphigenia in Aulis at La Mama.
Read More »Theater Review (NYC): Donnybrook! at the Irish Repertory Theatre
Irish Rep presents a revival of a thoroughly old-fashioned Johnny Burke musical based on the movie The Quiet Man.
Read More »Theater Review (NYC): Iphigenia in Aulis
One of the most emotional plays in the canon of ancient Greek theater receives an artful production at La Mama.
Read More »Theatre Review (Singapore): Voices by Jayanthi Siva-Lecolley and Michael Corbidge
An experimental, messy production helps ring in the new year.
Read More »Theater Review (LA): To Be Young, Gifted and Black at Actors Co-op
The production is fine but the content is flat in this portrait of the groundbreaking playwright.
Read More »Book Review: The Theatre of e. e. cummings Edited by George Firmage
Further proof, if any were necessary, that cummings was the first great modernist American writer.
Read More »Theater Review (NYC): The Man Who Laughs – A Live Silent Film for the Stage
Based on an obscure Victor Hugo novel, this highly unusual production features live piano accompaniment, a brilliant live-marionette sequence, and free popcorn.
Read More »Theater Review (NYC): The Vandal by Hamish Linklater
The Flea presents the world premiere of a twisted and artfully entertaining comedy with a shocker of an ending.
Read More »