The marvelous Nathan Lane stars in a production that is sheer delight and dark genius.
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Theater Review (NYC): “Geppetto” from Concrete Temple Theatre
This version of the man behind PInocchio is a professional puppeteer who's lost his better half.
Read More »Theater Review (London): “Payback: The Musical” at the Riverside Studios
A thoroughly entertaining if lightweight evening.
Read More »Theater Review (LA): “An Evening of Spolin Games”
What sets this improv troupe apart from others is its exuberance.
Read More »Theater Review (NYC): “The Caucasian Chalk Circle” by Bertolt Brecht
Christopher Lloyd is the wild and wooly Azdak in Brecht's class at CSC in NYC.
Read More »Theater Review (NYC): “The Master Builder” by Henrik Ibsen
BAM's dynamic new version of Ibsen's "The Master Builder," starring John Turturro is a hallmark for its director and cast. Potent production, memorable acting, chilling conclusion.
Read More »Theater Review (NYC): “Tesla” by Sheri Graubert
This revelatory play chronicling how brilliant inventor Nikola Tesla died penniless and alone in New York is to be made into a documentary film.
Read More »Theatre Review (Singapore): “‘Allo ‘Allo” by The Stage Club
I have to keep reminding myself and readers that Stage Club is run by amateurs, which is even more remarkable given the level of acting seen in this production.
Read More »Theatre Review (Singapore): “Dirty Dancing” by Base Entertainment
This stage adaptation follows the movie closely, and that's its fatal flaw.
Read More »Theatre Review (Singapore): “Pursuant” at Singapore Lyric Opera
In this musical about a ban on dreams, there's physical comedy to please youngsters, but unmemorable melodies and unfunny dialogue.
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