Sunday , October 22 2017

Opera

Exclusive Interview and Video Premiere: Robert Paterson, Composer of Risqué ‘Three Way’ Opera with June NYC Premiere

A dominatrix, an android companion – an opera? 'Three Way' zeroes in on the now and the near future of power and sexuality. Ahead of its NYC premiere, we talk with the composer, and debut a video excerpt.

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Theater Review (NYC): ‘A Man of Good Hope’

In one of the show's most emblematic moments, Asad's friends recoil when he sticks to his principles and accepts a cup of tea from a woman of what they see as an inferior clan. This operatic true tale from South Africa of a Somali refugee's harrowing journey of survival resonates ringingly in today's Europe and America.

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Theater Review (NYC Off-Broadway): ‘The Golden Bride’ – National Yiddish Theatre Folksbiene Revives a Classic 1920s Operetta

Lovingly reconstructed, this aspirational-fantasy story of Russian shtetl Jews emigrating to America is a fascinating period piece of great historical and cultural interest, as well as a robustly acted and brilliantly sung spectacle of theatrical joy.

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Opera Review: ‘Glory Denied’ by Tom Cipullo at the Chelsea Opera (NYC)

Forceful, wrenching, and thought-provoking, 'Glory Denied' with a number of productions under its belt still deserves further exposure in our age of constant war, with the lessons of Vietnam yet to be learned. It should be considered one of the major operas of the 21st century so far.

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Concert-Theater Review: ‘L’Amfiparnaso,’ a Madrigal Comedy from 1594 by Orazio Vecchi Performed by The Western Wind

Voices simulate the ringing of bells and the knocking-on of doors as effectively as they convey the desperation of foiled lovers, the comic scheming of the servant class, and the self-satisfied prancing of the smug.

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