Why Ninjas Don't Wear Purple

Part of: There, I Said It!

In "Practical Cats: Reflections on the Catwoman Costume," I tried to illustrate how those calling the black goggle costume “practical” are underrating the bottom-line value for a practicing thief in Gotham City to look so pulse-poundingly sexy, she can make Batman swallow his tongue.

With Rocksteady games having just revealed Catwoman to be a player character in Batman: Arkham City, in which she will be a practicing thief, as she should be, but is still wearing the unfortunate goggle costume from recent years' comics, and with Anne Hathaway's costume in The Dark Knight Rises still a closely guarded secret, it seemed a good time to return to the question of practicality for purring cat burlars daring to ply their trade in Batman's city.

Turns out the Balent-bashers are not only underrating the true practicality of the purple, they're also dramatically overrating the practicality of their chosen color.  They imagine black is preferable to purple for cat burglars because they think it’s harder to see.  On this one, we can at least follow their logic, flawed as it is.  Most people have never seen a real cat burglar, a French resistance fighter, or a ninja.  They draw their ideas from movies like… well, like Batman Begins, where these figures are always shown in head-to-toe black.  Solid black, we are left to conclude, is the way the most invisible assassins in history achieved their invisibility.

In reality, ninjas are depicted that way because of Japanese theatre.  Seriously.  The puppeteers in traditional Bunraku puppetry and the stagehands in Noh and Kabuki theatre all wore head-to-toe black.  The Japanese word for stagehand, “kuroko,” literally means “black clothes,” and in the case of Kabuki kuroku, they even wore the hood and mask we know as the signature costume of a ninja.  They weren’t camouflaged; the audience simply knew to ignore them.  That’s what the black signified.  They could stand on the stage and move around in plain sight, coming and going as needed, rearranging props and set pieces, and the audience tuned them out, they simply didn’t see them—just as we don’t see that stack of NetFlix DVDs on the top of the television when we’re watching our favorite program. 

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Article Author: Chris Dee

Chris Dee is an award-winning playwright, entertainment consultant, and author of the Catwoman metafiction series Cat-Tales, who brings real life experience to her storyverse, fusing it with unimagined truth and depth.

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