Theater/Dance Review (NYC): Le Serpent Rouge by Austin McCormick and Company XIV - Page 2

Part of: StageMage

The score plays a big part in establishing and maintaining the mood. As with Judgment of Paris, it's sewn together from a variety of sources, this time from the likes of Eartha Kitt and Peggy Lee, Cecilia Bartoli and Nina Simone. The text includes a Bukowski poem and passages inspired by Thomas Mann along with elements from the Bible and the Apocrypha. While dance predominates, the cast prove themselves capable actors. Ms. Glover is both regal and slinky, Ms. Careless a package of joy and pain and anger successively, Mr. Beasant a compact, darkly human Everyman. Ms. Marchese and Mr. Rainey are pure over-the-top delight, as they were in Judgment of Paris.

Given the dark material, there's surprisingly little menace in the tale. One gets the sense that Mr. McCormick and his troupe take such pleasure in their work that real evil, even in circus guise, can find no purchase on their stage. But no matter; this is a richly woven, thoroughly rewarding entertainment, well worth the excursion to the company's beautifully converted tow-truck pound near the Gowanus Canal. Get tickets before it closes on June 6!

Photo by Steven Schreiber. (L-R): Davon Rainey and Yeva Glover

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Article Author: Jon Sobel

Jon Sobel is Blogcritics' Culture and Theater Editor. In addition to reviewing NYC theater, he writes a semi-regular round-up of independent music releases. By day he is a computer professional and a freelance writer and editor, and at night he's a …

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