The plot, such as it is, has to do with the title character — played with regal innocence by the tall, spectral Kathryn Ekblad — searching for her missing mother while trailed by the nameless narrator (Ben Wood). He's a combination of stalker ex-boyfriend, wood nymph, and Ariel from The Tempest. The two are only marginally "leads," though, in a production driven by crisp pacing, divine dancing, and an ensemble of actors (who clearly love working together) making the most of their in-and-out parts. With clever lighting and a few props the stage becomes, alternately, the Girl Detective's neighborhood, her house, a Chinese restaurant, and the clubby Underworld, which is more Folies Bergère than Hades. But the show-stopper is a scene in which our heroine, who "eats dreams" (instead of food), darts among a mass of many people's dreams come to life. It's real theater magic.
What all of it means is open to interpretation, but by sticking closely to the original text the director, Bridgette Dunlap, has preserved the story's tone. Link's tale also has many layers, which, for the most part, also survive the transition. Is an explicit telling of the Persephone and Demeter myth - implicit in the original story - necessary? Does it have to be pointed out on stage that in fairy and fantasy tales, child heroes almost always lack at least one parent? Unclear. But in an adult show that also has kid appeal, some amount of explanation may be a plus. Certainly, the wonderful dancing and funny stage business help make the show a pleasure for all ages, in spite of the "mature themes" warning on the poster. This reviewer's inner child, for one, was as amused as his critical brain was tickled.
Through March 17 at the Connelly Theater in New York. Call 212-352-3101 for tickets or get them online.
Article comments