Theater Review (Redmond, WA): Cavalia at Marymoor Park

Part of: StageMage

After seeing Cavalia in Redmond, Washington’s Marymoor Park I truly understand what all the fuss is about. After weeks of seeing its advertisements on television commercials and billboards, I had grown very curious about this live show, which features no less than 46 horses and 38 human performers. After taking in the two-hour show (divided by a half-hour intermission), I was awestruck by the artistry on display.

Cavalia combines equestrianism, acrobatics, and dancing — all accompanied by a group of six musicians who provide a dynamic soundtrack to the entire spectacle. Where there was once an ordinary park now stands a 10-story-high big top forming a nearly 2,300-seat arena.

The large performance area is covered with sand. Very little space separates the spectators’ seats from the performers, which contributes to the relatively intimate setting. Large drapes hang from the rafters, upon which images are projected throughout the show. A scrim stretches across the rear of the performance area, allowing for the display of depth-increasing backgrounds. At various times, the live musicians are illuminated behind the scrim. The overall visual design of the show creates an earthy, natural atmosphere. Some surprises in the presentation are better left discovered in person, but it’s worth mentioning that the staging involves rain, snow, and foliage.

While Cavalia has no conventional narrative to speak of, its series of set pieces illustrates the cooperative nature of humankind’s relationship with horses. Not being knowledgeable about horses in general, I was still able to easily recognize the skill of the horses as well as the people riding them. Part of the fun of the Cavalia experience is being aware that the specific show you are witnessing is a unique piece of performance art. The horses, as well-trained as they obviously are, add an element of spontaneity to the proceedings that guarantees each show will be at least slightly different from all the others.

The performers’ enthusiasm is infectious, with each stunt generating boisterous applause from the audience. Some segments of the show focus on an individual performer or small group of horses, but at other times activity occurs in every nook of the performance area. Watching the horses perform what is essentially choreography — such as marching in time to the music — is every bit as impressive in its subtlety as seeing trapeze artists flying high above everything.

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Article Author: The Other Chad

My name is Chaz. A former co-worker (Dave) always misheard my name as "Chad." Complicating matters was a third co-worker, who was in fact named Chad. So Dave habitually called me the "other Chad."

Contact: chazlipp3@gmail.com

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