Theater Review (NYC): Zero by Danny and Robert O'Connor

Part of: StageMage

Things are bigger in Texas, and people live life a little slower. Maybe they just need more time to take it all in, since there's so much of it.

Zero, an import from Dallas (it has also played in Chicago), reflects something of that vast Lone Star spirit. For a one-man play, it's bigger than a lot of what we're used to here in frenetic New York City. Parts of it go a shade or two too slow for my caffeinated heart to beat to. The twenty-somethings whom Danny O'Connor brings to life on stage spend their days sloshed in beer, tequila, and Jagermeister instead of coffee and protein shakes.

There's no denying the craft, stamina, and supersized ambition of the play's primary power source. O'Connor, on stage by his Lone Star lonesome for over two hours, plays six different characters, sometimes three at a time, while working through two separate storylines. All of them are precisely eight years out of high school, but he defines them with easy changes in accent, demeanor, and posture, loading each with personality in the process. Yet O'Connor sketches in their details just enough to make us want to know more about them; we'd like to see deeper into them than their war stories, their obsession with a high school flame, their drinking to excess.

The occasion for the main storyline is the return of Alex, one of the high school buddies, from the Iraq War. Alex reflects the play's origin: O'Connor and his brother Robert collaborated on the script long-distance during the latter's service in Iraq. Then, after his second tour, Robert committed suicide.

That grim backstory doesn't make the play a downer, though. To the contrary, it's pretty jolly, especially considering its protagonists' inability to achieve satisfaction, the low-level sadness underlining their lives. They are all, in various ways, the "zeros" of the title, although only boisterous Sam, the group's "good ole boy," refers to himself that way. "High school's with us forever, dude," he tells his actor pal Len, who has quit trying to make a career of what he loves.

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Article Author: Jon Sobel

Jon Sobel is Blogcritics' Culture and Theater Editor. In addition to reviewing NYC theater, he writes a semi-regular round-up of independent music releases. By day he is a computer professional and a freelance writer and editor, and at night he's a …

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