How much you’re willing to tolerate As We Speak depends on how willing you are to believe the title of the Sinclair Lewis book the play is based on. There are certainly some who believe America can devolve into fascism, and some may even believe it already has with the Bush presidency. For sure, there are also fascist parallels to be found in the Minutemen and Patriot Act. But the play’s 2005 perspective clearly reduces its impact. De Toqueville’s notion of a self-correcting democracy has proven to be stronger than even most liberals thought possible. Whether or not you believe America could ever fall into full-fledged totalitarianism and martial law—despite what some may think, the Bush presidency ain’t Nazi Germany—it’s hard to deny that there are institutions in place and core ideals preventing that from occurring. If there weren’t, we’d currently be talking about a Brownback presidency.
As We Speak by John Patrick Bray. Directed by Tom Berger; Costume Design by Erin Smiley; Projections Design by David Bengali; Set Design by Jack Blacketer; Lighting Design by Tim Kaufman; Sound Design by Henry Akona; Fight Choreography by Kathryn Lawson. Photos by Leigh Celentano.
Starring Alisyn Brock (Noreen), Anthony Rand (Travis), Michael Littner (Chad), Michelle Rabbani (Jennifer), Michael Bertolini (Harrison), Rajesh Bose (Stanz), Cary Hite (Man 1, Nov. 8-9), Kyle-Steven Porter (Man 1, Nov. 7, 10-23), Case Aiken (Man 2), Kathryn Lawson (Woman 1), and Sarah Engelke (Woman 2).
As We Speak runs through November 23 at the 14th Street Y Theatre (344 E. 14th St.). Tickets are available at www.smarttix.com or by calling 212-868-4444.
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