Theater Review: Edward Albee's Who's Afraid of Virginia Woolf?

Part of: Breaking Legs in Lalaland

If an actor hasn't been in a movie lately, some people think the actor is washed up, forgetting that before TV and before moving pictures, actors didn't get re-shoots or second takes. It was live and on stage before critics of the ordinary sort.

The Center Theatre Group presents an acclaimed production that won awards in both NYC and London, showing us actors at their immediate best, while showing a marriage at its worst. Currently, at the Ahmanson Theatre in downtown Los Angeles, Kathleen Turner rages in a lusty portrayal of an angry, disappointed, middle-aged wife in Edward Albee's Who's Afraid of Virginia Woolf?

Turner hasn't been in a major movie lately, unlike her partner in crime, Michael Douglas, who starred with her in the romantic comedy series, the 1984 Romancing the Stone and the 1985 Jewel of the Nile and the last pairing, the 1989 The War of the Roses. She has, of course, shown up on TV in the wildly popular series Friends as Charles Bing, the transsexual father of Chandler, and more recently on Nip/Tuck in 2006.

That doesn't mean she hasn't been acting and to some acclaim. In 2005, she received a Tony Award nomination for Best Actress in this role. Bill Irwin, who plays husband George to her Martha, won a Tony Award. In London, the production garnered Turner an Evening Standard and Critics Circle awards and a nomination for an Olivier. In 1989, she had a Tony nomination for her role as Maggie the Cat in Tennessee Williams' Cat on a Hot Tin Roof.

As Martha, Turner's gravely voice isn't sexy as it was for Jessica Rabbit in Who Framed Roger Rabbit?, but rather angry and forceful. It's a voice of a woman who's had one too many, too many times and particularly tonight. Her comfortable heftiness also emphasizes her physical dominance over the slighter Irwin. At first, Albee's construct elicits sympathy for the milquetoast husband, George, and the couple, Honey (Kathleen Early) and Nick (David Furr), who unwittingly become guests and a captive audience of the mean drunk that Martha quickly becomes.

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Article Author: Purple Tigress

Former theater critic for the LA Weekly and Los Angeles Times . For the last five years, an editing slave at a dot-com but recently laid off. Currently an under-employed freelance writer and artist.

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  • 1 - El Bicho

    Feb 14, 2007 at 2:43 pm

    I saw this a number of years ago in LA with John Lithgow and Glenda Jackson in the leads, and think I might have to venture out again.

  • 2 - Purple Tigress

    Mar 03, 2007 at 12:48 pm

    I didn't get the chance to see that combination although I like both actors. Obviously the physical dynamics were different and I would guess the psychological ones would have to be as well.

  • 3 - Student

    Apr 12, 2007 at 9:17 pm

    I have recently seen this play in Australia and must say, it explores so many issues and themes that are the core to human emotions. It is a outstanding play that will last through the ages.

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