Lord Byron portrayed Don Juan as a victim of Catholicism's sexual repression and of women's desires, but in Moliere's version, Dom Juan ou le Festin de Pierre, Don Juan is an atheist condemned to hell. The current production of Don Juan at Glendale, California's classical repertory theater, A Noise Within, maintains the integrity of Moliere's script, managing to mesh a tragic moral tale with moments of brilliant comedy.
Moliere's genius is giving us Don Juan's put upon servant, Sganarelle (J.D. Cullum), who acts as Don Juan's conscience, yet he is forced to retreat and bend his words into convoluted excuses as he is beaten down by his humble position and his master's complete selfishness. Don Juan's latest conquest is Elvira (Libby West), whom he has lured from a convent. To defend her honor, her brothers (Stephen Rockwell and Dale Sandlin) vow revenge - but justice will come from a statue.
As Don Juan, Elijah Alexander is handsome, virile, and often bare-chested. He has a manly command of the stage, while Cullum shifts between momentary heroics and shrinking into comedic cowardice. Alexander's Don Juan is a man without a sense of humor; he is a straight man driven by his own lusts. He has no morale compass. We see this as well as his modus operandi as he plays the two peasant girls (Abby Craden and Sarah Green) against each other.
Director Michael Michetti, working with Richard Nelson's translation, skillfully gives us elegance, dashing charm, and over the top comedy in this serious moral tale. Having Rockwell and Sandlin dressed in black and white (the overall color scheme of this production) with flourishes of pink is inspired. The two stray locks that Rockwell flips back every now and then (wigs and hair by Monica Lisa Sabedra) and his hilarious lisp gives this fop hysterical panache.
Article comments