When I mentioned to a fellow theater writer that I was going to see the new Broadway production of Oleanna with Bill Pullman and Julia Stiles, he moaned, "Oh, I'm so sick of that play."
My colleague may have seen David Mamet's sexual harassment drama one too many times, but his sentiment struck me as more representative of the feelings of a full-time theater maven than of those of an average theatergoer. The shocked reactions of the crowd at last night's performance bore me out.
In the play, a college student named Carol (Ms. Stiles) first comes to her pedantic, distracted professor (Mr. Pullman) for academic help, then files a sexual harassment complaint against him. Her perception of what has occurred in his office – all on stage, right in front of us – seems monstrously skewed, however. 
And as Ms. Stiles noted last night in a post-performance bloggers' Q&A session, Mamet's script also leaves open the possibility that Carol (backed by a somewhat mysterious group of "those who suffer what I suffer") has set out to target and entrap the professor from the beginning, though the actress has not chosen to specifically play it that way.
Distinct, shocked thrills went through the audience each time Carol's attacks on John were further revealed. She certainly appears villainous, but nothing is black and white in this tale. John is far from perfect. In trying to make his points, he has told stories from his own life that seem inappropriately personal for a teacher-student relationship; he has even offered to change her grade if she visits him for more tutoring. Also, as Carol's accusations have John on the verge of losing not only his career but his family, she evinces some sympathy for him, some second thoughts.
Article comments
1 - Kt
Bill Pullman has such a sympathetic persona (as compared to William H. Macy, for example), I can't imagine it's much of a fair fight.