The Creative Energy of Quilts - Page 2

My point is that it may be time to say that Picasso, Matisse, and Kandinsky were not just hard acts to follow, as the show business cliché has it, but that they were impossible acts to follow. Their visual inventiveness that poured forth decade after decade took art, representational art, and abstract art as well, as far it could go. It may be time to say that this mighty trio of artists left subsequent painters at a historical dead end that was not of their own making, and that doomed them to fail when they tried to compete with them.

Take Roy Lichtenstein, for example. Sometimes he would include a reproduction of a Picasso in one of his own works, and the result is that you’re more interested in the Picasso than in what Lichtenstein painted around it. That’s surely not the result that Lichtenstein was going for.

What do these art-historical musings have to do with quilts? Everything. Quilters work very much as the artists of the Renaissance did. The Italian Old Masters were both artists and craftspeople who ground their own paints and made their own frames. In the same way, quilters have to have an acute design sense and also have to enjoy working with their hands. They’d better enjoy working with their hands, because making a quilt usually requires hundreds of hours of handwork. They put in these hundreds of hours because they know they are making a unique object—just as Renaissance artists did. No quilter ever worries about the death of the original, as so many postmodern artists do.

Notice that the relationship between conception and execution is reversed between quilters and postmodern artists. For radical conceptual artists, there is no execution at all—it’s the thought that counts, and the thought is best described in a manifesto of some kind. The conception of the design may take a few hours or a few days, but the execution can take months.

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Article Author: jcurtis

In The Big Scheme of Things, my life has been devoted to bringing together high culture and popular culture. I have a Ph.D. in Russian from Columbia University, and was professor of Russian at the University of Missouri for a long time. …

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Article comments

  • 1 - C.J. Good Author

    Jul 26, 2010 at 8:14 pm

    The Creative Energy of Quilts - I appreciated this article and could relate to your excitement and enthusiam about the quilt show. The creativity, imagination and artistry of quiltmakers is astonishing. This article reminded me of a quilt show i visited in Iowa about 10 years ago. It was an experience that I shall never forget. What a beautiful art form. Thanks so much for this article. It was uplifting and refreshing to read.

  • 2 - Kirk C

    Jul 26, 2010 at 10:26 pm

    Thank you! This is exactly how I felt when I experienced my first quilt show and what turned me into an avid quilt artist.

  • 3 - Lynne Brotman

    Jul 30, 2010 at 9:41 am

    The show was wonderful, and you couldn't have chosen a better quote to express the way you felt. Thanks for your article.

  • 4 - Lindsey

    Oct 19, 2010 at 12:20 pm

    I am still looking for information on when a quilt show will be headed out in my town. I live in Fresno, CA. Where can I find information?

  • 5 - jcurtis

    Oct 19, 2010 at 12:38 pm

    Try this URL

  • 6 - Ann Flaherty

    Oct 27, 2010 at 7:04 am

    Great article...Thank you for recognizing the value and tremendous amount of work that goes into art quilts. Consider visiting one of the Professional
    Art Quilters South
    annual international juried exhibits in North Carolina. I think you will be equally impressed.

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