The Art of Sideshow Banners

Part of: Art Encounters

A couple of weeks ago I took my daughter to the Travis County Rodeo, not so much for the animals and shows, as for the accompanying carnival run by Crabtree Amusements. They have some excellent rides, but what always catches the eye is that for larger events they also bring along their classic sideshow. What draws your eye to the sideshow is the wall of colorful banners advertising attractions like "Molly the Mermaid," the "Chupacabra" and of course "Tyrone the Giant Rat."

Those banners are by Bobby Rawls, one of several contemporary artists who specialize in recreating the look of classic sideshow banners which follow a format and style which goes back more than a century. The frame is always red, the title banner is gold, there's usually an emblem with a one-word epithet like "Alive!" and the art itself is highly stylized with bold contrasting colors. Of course, the figures are grotesque and titillating, provoking the viewer to come into the sideshow and see what the real thing is like.


The classic style of the Rawls banners derives directly from the work of the prolific Fred G Johnson who designed banners for the great sideshows of the early 20th century when circuses and smaller carnivals and other travelling shows were one of the dominant forms of performance art accessible to a wide audience in the pre-television era. Johnson worked for 65 years, with most of his career at the O. Henry Tent and Awning Company in Chicago until he retired in 1974. While his work derived from older styles, his long career defined the style and is widely imitated.

 

Johnson's work has to be classed as primitive art. Perspectives are skewed and figures have a surreal two-dimensionality, out of proportion to their backgrounds. The emphasis is always on the primary figure who is, after all, the star of the show. Like a lot of primitive art, Johnson's work is striking and highly effective. If it were more realistic or more detailed it would lose some of the eye-catching power which makes it effective. Since his death, Johnson's work has hung in museum exhibits and pieces have been auctioned at Sotheby's and other auction houses for thousands of dollars.

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Article Author: Dave Nalle

Dave Nalle has been a magazine editor, freelance writer, capitol hill staffer, game designer and taught college history for many years. He is now a pro-liberty political activist and designs fonts for a living. …

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