Review: Sundance, A New Original Opera by Matthew J. Walton - Page 2


"Ghost Shirts of Wounded Knee, 1890"

Narrator Alex deMontigny, who is from the Lakota Sioux and Nez Perce Native American bloodlines, speaks as the forthright Peltier, using the words that Peltier, himself, has said over the years. The opera begins with an artistic interpretation and revelation of the sometimes shocking events at Wounded Knee in 1890 - well after the Civil War and the Battle of Little Bighorn (Custer's "Last Stand") - when the US cavalry was beginning to round up and disarm the remaining Native Americans. The Ghost Dance was an attempt of a group of North American Indian tribes to further separate themselves from the white man and the religious doctrines they were forcing upon the tribal peoples. Begun by a prophet named Wovoka, his vision embodied the belief that the white man would disappear from the Earth after a natural catastrophe and that the Indian dead would return bringing with them the old way of life that would then last forever. The first dance was held by Wovoka around 1889. Word spread quickly and the Ghost Dance was accepted by many tribes including the Sioux who added the element of a ghost shirt. Among those killed at Wounded Knee were women and children wearing their ghost shirts. The Ghost Dance continued to be danced in more southern tribes, but the end of the movement really came with the deaths at Wounded Knee in 1890.

Chief Sitting Bull had been killed while the cavalry was attempting to round him up. Hearing of this, Chief Big Foot led his people south to seek protection at the Pine Ridge Reservation. The army intercepted the band on December 28 and brought them to the edge of the Wounded Knee to camp. The following morning, December 29, 1890, the soldiers entered the camp demanding the all Indian firearms be relinquished. A medicine man named Yellow Bird advocated resistance, claiming the Ghost Shirts would protect them. One of the soldiers tried to disarm a deaf Indian named Black Coyote. A scuffle ensued and the firearm discharged. The silence of the morning was broken and soon other guns echoed in the river bed. At first, the struggle was fought at close quarters, but when the Indians ran to take cover, the Hotchkiss artillery opened up on them, cutting down men, women, children alike, the sick Big Foot among them. When the smoke cleared and the shooting stopped, approximately 300 Sioux were dead, Big Foot among them.

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