The Vampire Keeps on Rising
This article in the Christian Science Monitor discusses an exhibition opening at the UCLA Hammer Museum in Los Angeles titled "The Undiscovered Country."
The show examines the role of representational painting in a post-photographic world by looking at 65 works by 23 painters from the United States and abroad over the past four decades.
"This is not the straightforward landscape and formal portrait that dominated art for so many centuries. Instead, it's a concentrated effort by artists to come to terms with a world suffused with real-world imagery - and find a new role for realistic painting within it."
This all simply means that for years a lot of influential people in the art world have been trying and insisting on denigrating painting, especially representational painting - but in the end, as it has happened several times in the vicious circle, painting refuses to die and suddenly it is back in vogue and trendy curators are scampering all over the place to find the painters they've been ignoring for so many years.
Not too mention some art critics who have made a career and name by pushing the "painting is dead" slogan.
I call this "Contemporary Realism." That is: realism with a bite.
And (shameless plug coming) if you want to see an artist whose works have been called "the leading edge of the new urban realists" by the New York Times, come see David FeBland's fourth solo with us at Fraser Bethesda. Opening reception is tonight from 6-9 PM as part of the Bethesda Art Walk.
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