When hung on the wall, the shiny black forms sometimes resemble a horizontal beehive, but like no bee on Earth would build. Other pieces have a strange sexual association to them, as if we’ve been offered a voyeuristic view of a new sexual organ no one knew existed.
Lastly, she has pushed the envelope even further in one major piece titled “Angle of Incidence.”
This work, is a living, wet, moist slab of porcelain slip that is still drying, unfinished… one would be tempted to say. As it dries, it will eventually “finish” – but not before the element of randomness is introduced and becomes part of it.
And in this piece, it is not just the random effect of how the material will crack and split as it dries. In its finished stage a few weeks from now, the work will also include the addition of fingerprints. “Ooops I didn’t know it was wet,” said the slim, blue-haired woman who touched it at the opening reception – her finger mark is now part of the artwork, as is the beer that her friend spilled on the slab, creating a yellowish film on the center of the work.
And thus randomness and the disquieting order of beer being spilled at an art opening, somehow align to help finish this piece.
In these visceral maps, organic sexual forms, and evolving works, Boozer has created something that is refreshingly new while being pleasant to the senses of visual enjoyment and mental intelligence. In this show, this artist has smashed her “label.”
Margaret Boozer “Land/Marks” is at Strand on Volta Gallery, 1531 33rd Street, NW in Georgetown, Washington, DC until June 5, 2004. The gallery can be reached at 202.333.4663.
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