Burning the Future: Seeing the Lights Go Off On Broadway - Page 2

It's a powerful moment. One could, of course, point out that the bright lights of Times Square are one of New York's biggest tourist attractions, and the city depends heavily on the tourist trade. But one can understand Gunnoe's reaction, and one feels in one's bones that she's - at least a little - right.

No, the bigger point the scene raises is that, however much energy might be "wasted" keeping Times Square "Times Square," city residents have smaller carbon footprints than people who live on houses with land.

People who live in houses need cars, every day. They have more rooms to heat and cool than city dwellers do. They might have the proverbial white picket fence, but inside their fences suburbanites waste huge amounts of water keeping their lawns artificially green. People who live in the suburbs or the sticks get none of the economies of scale that come with apartment living. And that was all fine when populations were smaller, gas was cheap, and the effects of our material prosperity on the planet were less well understood. I don't think it's fine any more.

In the film, one of the West Virginians worries that by the time his kids grow up, pollution may have made it impossible for them to continue living where they were brought up. I hope they can, he says.

From a family standpoint, that's sad. But in a way, I hope they can't. I'm certainly not cheering on the pollution, the destructive mining, or the continued dependence on dirty energy. Unless mining and burning coal can be made truly clean, phase it out, for the sake of the planet. But also for the sake of the planet, those country kids should move to a city. In fact, I'll go out on a limb: by the year 2040, unless your business is farming, your family ought to be living in a city.

By then, I hope it'll be really, really hard to find an American who's never been on a train.

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Article Author: Jon Sobel

Jon Sobel is Blogcritics' Culture and Theater Editor. In addition to reviewing NYC theater, he writes a semi-regular round-up of independent music releases. By day he is a computer professional and a freelance writer and editor, and at night he's a …

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