Burning the Future: Seeing the Lights Go Off On Broadway

The powerful new documentary Burning the Future: Coal in America explains how critical coal power is to the US economy and to Americans' energy-greedy way of life. It also focuses on the terrible effects modern mining has on the lives of people who live in Appalachian coal country. Specifically, the film documents the contamination of the water supply and its effects on human health. It also condemns mountaintop removal mining in no uncertain terms.

This modern form of coal extraction relies on heavy explosives to get the coal from the tops of mountains, rather than using large numbers of miners to burrow underground for it. There are some who defend mountaintop mining, but a quick glance at a few photos is enough to convince many that the practice should be outlawed.

The economics and science of coal and coal mining are complex, but in terms of cost to the environment it's safe to say that coal is a dirty source of energy. Most environmentalists believe the US should wean itself off coal.

However, the film raises another, related issue. One certainly sympathizes with people whose lands and water are being polluted, whose children are being sickened, by nearby coal mining operations. But enjoying a modern, comfortable way of life while living in relatively remote areas just might not be sustainable in the first place.

Two scenes in the film brought this home to me. Both occur on a trip to New York City taken by several courageous West Virginia environmental activists who have been invited to testify before a UN commission.

The final leg of the activists' journey takes place via New Jersey Transit. Sitting on the train, one of them observes that she's never been on a train before. To someone who grew up in the northeast, that's almost unbelievable. Never been on a train? Not an Amtrak, a commuter train, a subway train? Never once?

But where she comes from, you have to get everywhere by car. Simple as that. And there are far too many people in this country who have to get everywhere by car.

The second scene occurs when the leader of the activists, the admirable Maria Gunnoe, stands in Times Square, looks up at the huge, brightly lit advertisements looming everywhere, and cries out for New York to turn out these lights. Don't New Yorkers know that their incessant demand for energy is ruining the land elsewhere in the country?

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Article Author: Jon Sobel

Jon Sobel is Blogcritics' Culture and Theater Editor. In addition to reviewing NYC theater, he writes a semi-regular round-up of independent music releases. By day he is a computer professional and a freelance writer and editor, and at night he's a …

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