The Metropolitan Opera, founded in 1883, moved into its snazzy Lincoln Center quarters in 1966. The Met opera facility is one of the largest in the world, seating nearly 4,000. (Note: today is the last day to enter to win a pair of tickets to the Dec. 17 performance of Hansel and Gretel.)
Designed by architect Wallace Harrison, who was also responsible for Rockefeller Center and the United Nations complex, the Met's Lincoln Center theater is one of New York City's grandest spaces,
with 32 Swarovski crystal chandeliers; beautiful wood paneling, all from one titanic rosewood tree; a gold-leaf ceiling; maroon, maroon everywhere; and, for the best acoustics, no right angles anywhere. The proscenium stage measures 54 feet by 54 feet and is fully 110 feet high, allowing for larger sets than nearly anywhere else.
Not only that, multiple sets can be slid onto and off the stage for quick changes between
acts and productions, while the huge space belowdecks has room to store five or six other complete productions. (Additional productions are stashed in New Jersey warehouses, ready to be called back into action when the company wishes to restage an old favorite.)
That quick-change ability makes the Met's long and busy season possible. The 2009-2010 campaign features an amazing 28 productions,
including eight new ones. Unlike in regular theater, the big opera companies keep successful productions in repertory for years, sometimes decades. This year's La Bohème is the Franco Zeffirelli staging that dates back to 1981, for example. On the other hand, the much-discussed production of Janá?ek's From the House of the Dead is brand new at the Met this year. It's the new productions that make news, naturally. But it's often the old ones that bring the biggest crowds for the longest periods of time.





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Article comments
1 - Kanani
I really enjoyed this, Jon. What a great honor it was to be taken through the backstage ...just goes to show how bloggers and "web writers" are seen in a slightly better light these days!