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Concert Review: Jonny Lang – Ruth Eckerd Hall, Clearwater, FL 5/21/10

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Granted he’s not a teenage phenomenon anymore—he’ll turn 30 later this year—but Jonny Lang is still too damn young to be so damn good. On the opening night of his Live By Request tour, on which he includes a selection of cuts voted for by fans through his official website, Lang delivered an inspired performance. And in moments too frequent to mention, he sounded more like a seasoned bluesman from the Delta than a contemporary musician from North Dakota.

Variations of the blues indeed dominated early and throughout, as Lang began with a brooding version of “Give Me Up Again” before delivering “A Quitter Never Wins” with blistering fury and bite. Each solo elicited a flurry of grimaced expressions as if he were literally jolted by each chord he struck on his guitar. In other highlights, Lang steamrolled through “Still Rainin’” and “Red Light,” the latter’s urgent pace collapsing into a steady, rhythmic chant of “everything’s gonna be all right” that many in the crowd echoed with joy.

Closing out the main set with two covers, Lang not only underscored the scope of his influences, but—in pulling them off as well as he did—so too the depths of his talent. He dusted off an acoustic, guttural version of the Muddy Waters chestnut, “Forty Days and Forty Nights,” before ushering in a torrid rendition of “Livin' For The City,” capping off the funky Stevie Wonder classic with a coda that spotlighted vocalist Jason Eskridge, whose soulful runs brought the concert to its climax.

Some of the night’s extended jams ran far too long, though, particularly as they tended to feature everyone but Lang. The most unnecessary instance occurred on “I Am,” during which the star ceded the focus to each musician in the band, who offered up one ostentatious solo after another in what came across like a rivalrous exercise to entertain themselves rather than a collaborative effort to entertain the audience. More importantly, in the time it took to wind through all of this overindulgence, Lang could have played another one or two songs. On the whole, however, such criticism doesn't overshadow Lang's contributions, which culminated time and again with stirring, genuinely soulful music.


Photos by Donald Gibson

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About Donald Gibson

Donald Gibson is the publisher of www.writeonmusic.com and a freelance music journalist whose byline has appeared in such publications as No Depression, Spinner, The Seattle Post Intelligencer, Cinema Sentries, Blinded by Sound, and Blogcritics, where he was the Senior Music Editor (2011-2012) and Assistant Music Editor (2008-2011). He has interviewed and profiled such artists as Tony Bennett, Lucinda Williams, Jakob Dylan, Allen Toussaint, Boz Scaggs, Johnny Marr, Charli XCX, Justin Hayward (The Moody Blues), Susanna Hoffs, Bruce Hornsby, Delbert McClinton, Jonny Lang, Alan Parsons, Bill Frisell, Rickie Lee Jones, Christina Perri, Don Felder (The Eagles), Jimmy Webb, Katie Melua, and Buddy Guy, among many others.
  • Phil B

    you should take a listen to Wonder this world
    Lang has great albums too…

  • Latoya Vasser

    Jonny’s one of the greatest guitar players to ever live! I was at a BB King concert and the man was talking about Jonny. Said that he was, quote, “the greatest guitar player he’d ever heard.” Coming from BB, that’s saying something

  • nice review. i had about the same experience with live vs. recording. we saw him right after Turn Around came out. i kinda heard him as more soul than blues but that’s also the way that particular record leans.

  • Great review Gibson. Lang has always been much better live than on record in my own opinion.

    First time I saw him was a few years back at Seattle’s annual Bumbershoot festival. I checked him out more out of curiosity than anything else, and walked away from it completely floored by him.

    It’s just too bad that his records don’t match the intensity of his live shows (at least not the ones I’ve heard).