The interrogation of Lee Harvey Oswald is dramatized in a compelling production at the Write Act Repertory in Hollywood.
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Theater Review (NYC): ‘Leo’
This delightful and original "Best of Edinburgh" anti-gravity show is well worth seeing, even if it overstays its welcome a bit.
Read More »Theatre Review (London): Frankland & Sons at the Camden People’s Theatre
True-life family history and relationships on stage. By the people concerned. Is anyone else?
Read More »Theater Review (NYC): ‘Samuel & Alasdair: A Personal History of the Robot War’ by The Mad Ones
Beset by static, power outages, and flaky equipment, a Soviet radio show rattles on as the world outside falls apart.
Read More »Book Review: War Horse: The Making of the Motion Picture by Steven Spielberg
Spielberg's War Horse spawns a making of the movie book.
Read More »DVD Review: Cinematic Titanic Live – War of the Insects
"It's OK, you're safe: the gun only holds 47 shots." [bang] "48 shots."
Read More »Theater Review (NYC): ‘Krapp’s Last Tape’ by Samuel Beckett, with John Hurt
Even after more than half a century, Samuel Beckett's extraordinary theatrical innovations retain the power to startle.
Read More »Theater Review (NYC): ‘Neighbourhood Watch’ by Alan Ayckbourn
In Ayckbourn's 75th play, mild-mannered Martin marshals his neighbors into an increasingly strident and fascistic neighborhood watchdog group.
Read More »Theater Review (NYC): ‘The Cherry Orchard’ at Classic Stage with Dianne Wiest and John Turturro
Occupy Wall Street protesters evicted from their permanent settlements could do a lot worse than visiting (or re-visiting) Anton Chekhov's class-conscious classic.
Read More »Theater Review (NYC): ‘Derby Day’ by Samuel Brett Williams
This searing new comedy-drama gallops across the stage in a world premiere from the Camisade Theatre Company.
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