Conceptual Fiction is a regular feature, contributed by Ted Gioia, focusing on major works of fantasy, science fiction, magical realism and alternate history. Here you will find Jules Verne, H.G. Wells, Gabriel Garcia Marquez, Ursula K. Le Guin, Robert Heinlein, Philip K. Dick, Audrey Niffenegger, Ray Bradbury, and dozens of other creative writers with a conceptual bent. These books are celebrated in recognition that literary experimentation with ways of conceptualizing reality has been as important as experimentation with language in creating fiction of lasting value. Dismissing these books as genre or escapist works has created a blind-spot in literary studies that this feature aims, in some small part, to rectify.
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Neuromancer anticipated cyberspace years before the World Wide Web, but that may be the least of this book's virtues.
Ray Bradbury tries to write a horror novel, but it may be too beautifully written to be scary
Jules Verne took the old story of a trip to the underworld and gave it a new, scientific twist.
With Hollywood looking over his shoulder, Arthur C. Clarke produced a classic.
Fritz Leiber was a chess player, preacher, college teacher, champion fencer, Shakespearian actor...and, yes, a great storyteller.
Theodore Sturgeon has written a grand unclassifiable novel. Is it fantasy, horror, mystery or experimental fiction? You be the judge.
Edwin Abbott's strange cult novel from 1884 is set in two dimensional space populated by squares, circles, triangles and lines.
Are the main characters in Theodore Sturgeon's More Than Human just social outcasts or the next stage in human evolution?
More than a half-century after C.S. Lewis wrote his Narnia stories, controversy still surrounds these popular tales.
In a book that is half novel and half puzzle, David Mitchell weaves together six very stylized and contrasting narratives.
Seven years before the Summer of Love, Robert Heinlein already had the vibe, as he shows in this cult novel.
This lunar adventure combines the worst aspects of a mining disaster, a lost in space story and The Poseidon Adventure.
Robert Silverberg's classic novel about a mind-reader losing his talent mirrors changes in the author's own life.
H.G. Wells's science may be faulty in The First Men in the Moon, but his storytelling is first rate.
This is a mix of theology and technology: imagine Edith Hamilton's Mythology with much better weapons.
This 1870 novel by Jules Verne about a lunar mission gone wrong is a nineteenth century version of Apollo 13.
In 1865, Jules Verne envisioned a lunar expedition that was surprisingly close to the later Apollo 11 mission
With the possible exception of Spielberg's Jaws no story has made an ocean seem quite so disturbing as Lem's Solaris
Anthony Burgess feared his novel was too traditionally moralistic, but I doubt that will be your reaction to A Clockwork Orange.
There may be stories of interplanetary conflict with better special effects, but they don't come any smarter than this Heinlein classic.