Holland is Oscar Wilde’s grandson and, with John Mortimer, in this astonishing book he shows us the enfant terrible (or perhaps by then the eminence grise) of London’s literary circle battling, albeit unwittingly, for his very life. The book contains the entire, unexpurgated tanscript — previous versions were heavily censored.
When John Sholto Douglas, the Marquess of Queensberry, publicly accused Wilde of being a homosexual, Wilde — ill-advisedly as it turned out — brought a libel case against him. It was without the doubt the most sensational case of its time and contained all the elements of a racy potboiler — intrigue, scandal, dangerous liaisons and, ultimately, tragedy.
The infamous love affair between Wilde and Lord Alfred “Bosie” Douglas, the Marquess’ son, flourished clandestinely but was doomed the moment it became public — and it did so at Wilde’s own hands.
On 18 February 1895, the Marquess sent a note to Wilde at the Albemarle Club, addressing it to “Oscar Wilde, posing as a somdomite” (sic). Blinded by rage, deceived by his infatuation and actively encouraged by Bosie Douglas, Wilde issued notice to the Marquess claiming damages for libel.
It proved to be a tragic mistake. Within days, Wilde went from being adored to reviled by Victorian London, the literary lion turning to accursed cur, in what was the biggest scandal of its time.
The fall from grace was quick and deadly. Wilde lost everything. He lost the libel action and was prosecuted and incarcerated in Reading jail (where he wrote The Ballad of Reading Gaol). Insolvency followed and he fled to Paris, abandoning his family, which he never saw again.
Holland is a well-known researcher, scholar and archivist and he has unearthed the original transcript of the Wilde trial. The book contains the unexpurgated record of a case, the details of which, in 1895, London’s Central Criminal Court Sessions Papers said “are unfit for publication.” Holland’s introduction is both poignant and perceptive, masterly in its own right.
There were actually three trials of Oscar Wilde. It began with his criminal charge of libel against the Marquess, prosecuted on Wilde’s behalf by the legendary Edward Clarke. Despite advice from his peers (including George Bernard Shaw), Wilde persisted with the charge. The Marquess was represented by Edward Carson, a rival of Wilde from college days. When Carson began questioning Wilde on his relationships with younger men, Wilde moved from discomfiture to a state of near breakdown. The next day, he withdrew his case.
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