The Malazan Book of the Fallen by Steven Erikson - Page 2

Since we are only at book VI now, I see little point in elaborating on the plot-lines – which are many and hugely complicated, and only getting more so with each successive book. A lot of the reading is merely figuring out which of the millions of sub-plots and strands is a red-herring, and which is important to the bigger picture. As it turns out, they all are. The various strands come together, satisfyingly, in the end, pushing the series plot further. The books aren't chronological – some happen simultaneously, and there is a lot of back-and-forth-ing, but the picture that emerges when they are put together is breathtaking.

But unlike a detective story, morality in the Malazan books is muddied and sticky and compelling. Imagine quicksand so fascinating you wilfully struggle harder in the hope of digging yourself in deeper and deeper, faster and faster, consumed by an urgent need to get to the bottom. There is no one murderer (or even two) who is to be discovered at the end of the book – though there are plenty all along the way. Instead, the world is one of Kafkaesque helplessness – with every character plotting stubbornly towards an unknown goal — often at cross-purposes, sometimes together — though even then they maintain their own motives. And though against the large morass that is their world (pardon the repeated bog-metaphors) they are small and powerless, they all insist on plotting furiously, anyway. No one is Evil, and even if they were, no one is all Good either. Even the least likable characters are provided with enough motivation to make them, if not sympathetic, at least empathetic.

As far as I am concerned, the characterisation is perfect – even though there are so many of them, Erikson makes every single one recognisable. It is not the kind of book where you can, say, name five distinguishing characteristics for each person. But then, I can't name five distinguishing characteristics for any of my friends either. Instead of a set of characteristics, you come to recognise real people – you may not entirely understand them, you probably don't agree about a lot of stuff, but you enjoy their company; they change, you change, it doesn 't matter, they are still distinct people to you. If you ran into even the most insignificant character on the road, you'd recognise it and go up to talk to it – though if you are spotting Erikson characters on the road, you might want to consider seeing a shrink.

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Shalini Srinivasan spends most of her time avoiding work in a desperate attempt to not have a life. Sometimes when this backfires, and she does acquire one, she is surprised to find it is very much like the rest of her time.

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