All Souls's Rising by Madison Smartt Bell
Master of the Crossroads by Madison Smartt Bell
The first two parts of Madison Smartt Bell's masterpiece trilogy on revolutionary Haiti cover much of Toussaint and Haiti's story. I can't say enough about the achievement of these novels and am eagerly awaiting the final part due in November 2004. He displays astounding historical imagination in exploring the rich intricacies of the period. The expansive set of characters that we follow in this disturbing and violent tragedy are a sort of greek chorus. The conscience of the story, the good Doctor Antoine Hébert is mostly powerless in the face of the epic events that are taking place yet he tries to maintain his humanity all the while observing the great men and the small people who have to live with the decisions. We see Toussaint gaining tactical awareness and power and all the various forces at work: the colonists trying to keep their plantations, France in revolution and mostly various factions of the slaves in revolt, the landed mulattos fighting to preserve their middle ground much like the 'coloreds' in modern day South Africa.
At the end of Master of the Crossroads, that "carefully drawn road map through hell", Smartt Bell reproduces a great document from his archival research: the "Classification of Races in colonial Saint Domingue" with the 210 different hues of humankind listed according to the amount of black blood - a five page tribute to how deeply engrained this institution was. A sample:
I. Combinaisons du Blanc.D'Un Blanc et d'une Négresse, vient... un Mulâtre.
D'Un Blanc et d'une Mulâtresse... Quarteron.
D'Un Blanc et d'une Quarteron... Métis.
D'Un Blanc et d'une Métive... Marmelouque.
D'Un Blanc et d'une Marmelouque... Quateronné.
D'Un Blanc et d'une Quateronnée... Sang-mêle.
D'Un Blanc et d'une Sang-mêlée... Sang-mêle, qui s'approche continuellement du Blanc.
D'Un Blanc et d'une Marabou... Quateron.
D'Un Blanc et d'une Griffonne... Quateron.
D'Un Blanc et d'une Sacatra... Quateron.
Faulty biology may account for this emphasis on mixed blood - the Sang-mêle quoted above, but this skewed and awful dislocation of race writ-large continues to haunt that society to this day. You can imagine old society ladies evaluating new parvenues according to this code.
The Kingdom of this World - by Alejo Carpentier
Alejo Carpentier's novel delves deeply into the lurid and lugubrious depths of the years after Haiti's liberation from francophone colonial rule under the black king, Henri-Christophe. This was an era of chaotic, brutal, and horrific atrocities that gave full vent to the casual cruelty of the races. The writing is hallucinatory and surreal which suits the violent period he is covering. I suppose this is what magic realism is all about. We follow the through the eyes of the old slave, Ti-Noel, a stoic guide to the Dante-esque corruption and superstition. The heights of sexual loathing are also emphasized here. Power and corruption are absolute.








Article comments
1 - Eric Olsen
Damn, Koranteng, there's a lot going on here - the writing is excellent and the information fascinating. The realtionship between environmental degradation and political decline/collapse makes an awful lot of sense.
I also agree that our media tends toward solipsism, though not more than most and certainly less than some.
I fear "we" (the West) sees parts of the world as beyond hope, as sinkholes beyond redemption - it is perhaps related to a "help those who can help themselves" mentality.
Thanks!
2 - Mac Diva
There are two solutions to Haiti's debacle. The first is immigration. That is what really frightens Americans, Koranteng. Though the country has absorbed millions of immigrants from Europe, an increasing number of Americans want to end immigration now that the color of most immigrants skin is darker than olive. The second solution is, of course, for France to pay Haitians the millions in reparations it owes them. That is what really frightens the French. I wish I could say I believe either solution will occur in my life time, but I don't.