Operators or verbal false limbs. These save the trouble of picking out appropriate verbs and nouns, and at the same time pad each sentence with extra syllables which give it an appearance of symmetry. Characteristic phrases are render inoperative, militate against, make contact with, be subjected to, give rise to, give grounds for, have the effect of, play a leading part (role) in, make itself felt, take effect, exhibit a tendency to, serve the purpose of, etc., etc. The keynote is the elimination of simple verbs. Instead of being a single word, such as break, stop, spoil, mend, kill, a verb becomes a phrase, made up of a noun or adjective tacked on to some general-purpose verb such as prove, serve, form, play, render. In addition, the passive voice is wherever possible used in preference to the active, and noun constructions are used instead of gerunds (by examination of instead of by examining ). The range of verbs is further cut down by means of the -ize and de- formations, and the banal statements are given an appearance of profundity by means of the not un- formation. Simple conjunctions and prepositions are replaced by such phrases as with respect to, having regard to, the fact that, by dint of, in view of, in the interests of, on the hypothesis that ; and the ends of sentences are saved from anticlimax by such resounding commonplaces as greatly to be desired, cannot be left out of account, a development to be expected in the near future, deserving of serious consideration, brought to a satisfactory conclusion, and so on and so forth.
Pretentious diction. Words like phenomenon, element, individual (as noun), objective, categorical, effective, virtual, basic, primary, promote, constitute, exhibit, exploit, utilize, eliminate, liquidate, are used to dress up a simple statement and give an air of scientific impartiality to biased judgements. Adjectives like epoch-making, epic, historic, unforgettable, triumphant, age-old, inevitable, inexorable, veritable, are used to dignify the sordid process of international politics, while writing that aims at glorifying war usually takes on an archaic color, its characteristic words being: realm, throne, chariot, mailed fist, trident, sword, shield, buckler, banner, jackboot, clarion. Foreign words and expressions such as cul de sac, ancien régime, deus ex machina, mutatis mutandis, status quo, gleichschaltung, weltanschauung, are used to give an air of culture and elegance. Except for the useful abbreviations i.e., e.g., and etc. , there is no real need for any of the hundreds of foreign phrases now current in the English language. Bad writers, and especially scientific, political, and sociological writers, are nearly always haunted by the notion that Latin or Greek words are grander than Saxon ones, and unnecessary words like expedite, ameliorate, predict, extraneous, deracinated, clandestine, subaqueous, and hundreds of others constantly gain ground from their Anglo-Saxon opposite numbers. note 1 The jargon peculiar to Marxist writing (hyena, hangman, cannibal, petty bourgeois, these gentry, lackey, flunkey, mad dog, White Guard, etc.) consists largely of words translated from Russian, German, or French; but the normal way of coining a new word is to use Latin or Greek root with the appropriate affix and, where necessary, the size formation. It is often easier to make up words of this kind (deregionalize, impermissible, extramarital, non-fragmentary and so forth) than to think up the English words that will cover one's meaning. The result, in general, is an increase in slovenliness and vagueness.
Article comments
1 - Marty
Anyone who reads this long-winded albeit useful essay must be commended. Mind your language!
2 - Luke Welke
George Orwell: Politics and the English language
George Orwell in this essay exposes the abuses of language in the political and journalistic writing of his day. He points out three categories of bad and unethical writing: dying metaphors, operators or false limbs, pretentious diction. Dying metaphors are phrases that have been drained of meaning due to overuse and serve as a substitute for original thought. A writer will use operators and false limbs instead of going to the trouble of coming up with the appropriate verb. Operators and false limbs are connective phrases that bolster an inadequate or weak sentence with a false sense of symmetry. Meaningless words are general terms that have no particular referent, but are loaded with emotional connotations. This article has much relevance to modern political discourse. The language of modern political discourse is rife with meaningless emotional content that manipulates the readers/listeners emotional reaction to what is said. Jargon twists language to usurp rational thought by strapping emotional language into empty rhetoric, it makes allusions to vaguely defined symbols to create mental associations to trigger psychological reactions. If you eliminate the manipulative content in the jargon laden writing that passes for political discourse today, you will find in it, no real factual content. There is no real information that is related to things-in-the-world, it consists of a chain of abstract associations with no real content. Orwell talks about how political writing softens its subject matter to distort the truth. This is more prevalent then ever today. Political rhetoric describes harsh realities in terms that soften their impact on the reader. For instance, they will describe civilian casualties as “soft targets” or “collateral damage”. These terms remove the human element from discourse and replaces it with an abstraction. The more abstract discourse becomes the less involved the general public will be with what is being done in their name. Massively funded think tanks and public relations corporations work tirelessly designing ways of manipulating the public through language and image. Orwell is necessary for this class because he predicted the direction in which the world was heading. By reading his writing we can understand how we are being manipulated and used by elite power. Orwell was a pessimist and saw the future as “a bootheel stamping on the face of humanity forever”. I fear he may have been right.