My blog gets a great many hits from people looking for the 100 greatest novels. Lately I have been feeling guilty that when you click through you find no real content just an out of date link. So I have decided to remedy that by listing the novels out and noting which I have read. I thought I would share that with the Blogcritics crowd
The ones in Bold I have read and the ones in Italic I own (those in both I own and have read).
1. ULYSSES by James Joyce
2. THE GREAT GATSBY by F. Scott Fitzgerald
3. A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce
4. LOLITA by Vladimir Nabokov
5. BRAVE NEW WORLD by Aldous Huxley
6. THE SOUND AND THE FURY by William Faulkner
7. CATCH-22 by Joseph Heller
8. DARKNESS AT NOON by Arthur Koestler
9. SONS AND LOVERS by D.H. Lawrence
10. THE GRAPES OF WRATH by John Steinbeck
11. UNDER THE VOLCANO by Malcolm Lowry
12. THE WAY OF ALL FLESH by Samuel Butler
13. 1984 by George Orwell
14. I, CLAUDIUS by Robert Graves
15. TO THE LIGHTHOUSE by Virginia Woolf
16. AN AMERICAN TRAGEDY by Theodore Dreiser
17. THE HEART IS A LONELY HUNTER by Carson McCullers
18. SLAUGHTERHOUSE-FIVE by Kurt Vonnegut
19. INVISIBLE MAN by Ralph Ellison
20. NATIVE SON by Richard Wright
21. HENDERSON THE RAIN KING by Saul Bellow
22. APPOINTMENT IN SAMARRA by John O'Hara
23. U.S.A. (trilogy) by John Dos Passos
24. WINESBURG, OHIO by Sherwood Anderson
25. A PASSAGE TO INDIA by E.M. Forster
26. THE WINGS OF THE DOVE by Henry James
27. THE AMBASSADORS by Henry James
28. TENDER IS THE NIGHT by F. Scott Fitzgerald
29. THE STUDS LONIGAN TRILOGY by James T. Farrell
30. THE GOOD SOLDIER by Ford Madox Ford
31. ANIMAL FARM by George Orwell
32. THE GOLDEN BOWL by Henry James
33. SISTER CARRIE by Theodore Dreiser
34. A HANDFUL OF DUST by Evelyn Waugh
35. AS I LAY DYING by William Faulkner
36. ALL THE KING'S MEN by Robert Penn Warren
37. THE BRIDGE OF SAN LUIS REY by Thornton Wilder
38. HOWARDS END by E.M. Forster
39. GO TELL IT ON THE MOUNTAIN by James Baldwin
40. THE HEART OF THE MATTER by Graham Greene
41. LORD OF THE FLIES by William Golding
42. DELIVERANCE by James Dickey
43. A DANCE TO THE MUSIC OF TIME (series) by Anthony Powell
44. POINT COUNTER POINT by Aldous Huxley
45. THE SUN ALSO RISES by Ernest Hemingway
46. THE SECRET AGENT by Joseph Conrad
47. NOSTROMO by Joseph Conrad
48. THE RAINBOW by D.H. Lawrence
49. WOMEN IN LOVE by D.H. Lawrence
50. TROPIC OF CANCER by Henry Miller
51. THE NAKED AND THE DEAD by Norman Mailer
52. PORTNOY'S COMPLAINT by Philip Roth
53. PALE FIRE by Vladimir Nabokov
54. LIGHT IN AUGUST by William Faulkner
55. ON THE ROAD by Jack Kerouac
56. THE MALTESE FALCON by Dashiell Hammett
57. PARADE'S END by Ford Madox Ford
58. THE AGE OF INNOCENCE by Edith Wharton
59. ZULEIKA DOBSON by Max Beerbohm
60. THE MOVIEGOER by Walker Percy
61. DEATH COMES FOR THE ARCHBISHOP by Willa Cather
62. FROM HERE TO ETERNITY by James Jones
63. THE WAPSHOT CHRONICLE by John Cheever
64. THE CATCHER IN THE RYE by J.D. Salinger
65. A CLOCKWORK ORANGE by Anthony Burgess
66. OF HUMAN BONDAGE by W. Somerset Maugham
67. HEART OF DARKNESS by Joseph Conrad
68. MAIN STREET by Sinclair Lewis
69. THE HOUSE OF MIRTH by Edith Wharton
70. THE ALEXANDRIA QUARTET by Lawrence Durell
71. A HIGH WIND IN JAMAICA by Richard Hughes
72. A HOUSE FOR MR BISWAS by V.S. Naipaul *partial
73. THE DAY OF THE LOCUST by Nathanael West
74. A FAREWELL TO ARMS by Ernest Hemingway
75. SCOOP by Evelyn Waugh
76. THE PRIME OF MISS JEAN BRODIE by Muriel Spark
77. FINNEGANS WAKE by James Joyce
78. KIM by Rudyard Kipling
79. A ROOM WITH A VIEW by E.M. Forster
80. BRIDESHEAD REVISITED by Evelyn Waugh
81. THE ADVENTURES OF AUGIE MARCH by Saul Bellow
82. ANGLE OF REPOSE by Wallace Stegner
83. A BEND IN THE RIVER by V.S. Naipaul
84. THE DEATH OF THE HEART by Elizabeth Bowen
85. LORD JIM by Joseph Conrad
86. RAGTIME by E.L. Doctorow
87. THE OLD WIVES' TALE by Arnold Bennett
88. THE CALL OF THE WILD by Jack London
89. LOVING by Henry Green
90. MIDNIGHT'S CHILDREN by Salman Rushdie
91. TOBACCO ROAD by Erskine Caldwell
92. IRONWEED by William Kennedy
93. THE MAGUS by John Fowles
94. WIDE SARGASSO SEA by Jean Rhys
95. UNDER THE NET by Iris Murdoch
96. SOPHIE'S CHOICE by William Styron .
97. THE SHELTERING SKY by Paul Bowles
98. THE POSTMAN ALWAYS RINGS TWICE by James M. Cain
99. THE GINGER MAN by J.P. Donleavy
100. THE MAGNIFICENT AMBERSONS by Booth Tarkington







Article comments
— go to most recent comments1 - Eric Olsen
I'm stuck at 20, pretty pitiful at this stage of my life!
2 - The Theory
i read 3 of those... but they were doosies.
Darkness at Noon by Arthur Koestler
As I Lay Dying by William Faulkner
Brave New World by Aldous Huxley
the first two were amazing books. The Faulkner book is a tough read but rewarding.
peace.
3 - Frank Giovinazzi
First, I'm wary of these kind of lists and only view them as suggestions, not absolutes. For example, I scanned the list twice and didn't see Farenheit 451. Ray Bradbury wrote a great book about ideas and censorship and accurately predicted the rise of TV shows like COPS and America's Most Wanted -- 50 years before they came to fruition.
Nor did I see One Day in the Life of Ivan Denisovich, which revealed the monumental horror of Soviet Communism -- the system that killed more people over a longer period of time than did Nazi Germany -- way before the intellectual elite in this country recanted their puppy love for the false Utopia.
Second, I learned something cool from Louis L'Amour's memoir, Education of a Wandering Man. He tells how he read more than 2 dozen books in a single year while waiting -- for the bus, in lines, etc. Ever since then, I've tried to always have a book on hand and find I get a lot of reading done in the same way.
4 - jadester
this is funny, i was thinking recently that i should get a list of great British literature ("classics") and start reading them, as i have heard of many but read...none. This list will be helpful
5 - Rodney Welch
I counted 36, not too much better than I did when the list first came out. I remember half-wondering if the whole thing wasn't a hoax, since at least one title sounded made-up. Beerbohm's book was nowhere near my radar screen -- or that of others. It was the one title on the list that had a lot of readers scratching their heads. I remember talking with a English Ph. D. of some years who admitted with a little embarrassment that he'd never heard of it either.
6 - murphy
I posted about this list earlier, and it got a lot of comments then too. You can check it out here:
http://www.blogcritics.org/archives/2003/03/20/152252.php#003968
I STILL think that a lot of books on this list are less deserving than many not on it.
7 - Randal Ries
I find it truly remarkable that despite the existence of Women's and African American studies programs/departments at most major American universities for several decades, that "greatness" in the cannon of English literature remains defined almost exclusively by white males, at least in the eyes the author of the aforementioned list. The list's bias is most apparent in the inclusion of multiple novels by authors like Forester, Joyce, Conrad, or Lawrence which provide little if any distinction from the author's other works and subsequently squeeze out other less prolific authors who may have only a single work worthy of distinction. Authors like Harper Lee, who craft a single work which so profoundly impacts our understanding of race relations and politics, while also altering the form and content of the American novel. To overlook the impact of "To Kill a Mockingbird" on 20th century art and culture is unforgiveable.
8 - Rodney Welch
Disagree completely, Randall. This list may not be the greatest, but any list seeking to rank the best certainly need not be burdened with Affirmative Action. Inclusion should be based entirely on talent. And while I think To Kill a Mockingbird is a fine book, I can't bring myself to call it a great book either -- impact on race relations notwithstanding. Aesthetic judgments shouldn't be based on political correctness or social relevance.
9 - Adam Shobert
Yeah, I agree. Randal, you sound like someone who just discovered racial inequality and are ready to take it head on by reciting the long tired dead white male argument. Valid as that argument may be (see Norton Anthologies, but they're trying to get better), it has nothing to do with this silly list. And to think that Ulysses, Portrait, and Finnegan's Wake "provide little if any distinction" from each other, I'm afraid you have no idea what's between the covers of these books (not to mention those of Lawerence, Conrad . . . )
10 - Jordan
Ummm...the list is decent. But the inclusion of Finnegan's Wake on the list is ridiculous. The book makes no sense.
11 - Rodney Welch
Really? People who have devoted their lives to it might beg to differ.
12 - Jovialjuggler
Hope you've read great gatsby by now :)
13 - Al
Is the lord of the Rings a novel?
Or am I missing something?
14 - Dew
The Stranger by Albert Camus, changed my life in the 11th grade. But as for the list I think these lists (as there are many of them in variations) can only serve as recommendations. It is solely up to the reader what and how they feel about the book's validation as a solid work. For example, I am a die hard bibliophile but I refuse to read anything else by Ernest Hemingway or Jane Austen. I do not understand how anyone could enjoy them, but on the other hand I love Fitzgerald,Wilde and I actually read The Plague,by Camus also(and liked it). So go figure!
15 - Greg Ippolito
We all read the novel when we were 16. Our teenage minds were blown wide open. And I suppose that's why we downplay this novel, subjugating it as Tier 2. After all, to rave about it implicitly places you in the company of half-witted adolscents; when you can appear so much more the intellectual by jumping on the "Ulysses" bandwagon -- even if you didn't find it a digestable read...even if you didn't fully understand it...even if you didn't actually READ it. But to rank "Catcher In The Rye" at #64 is criminal. Criminal. I read picked it up and read it a second time when I was 29, and found it every bit as powerful.
16 - Suzan
I have just completed a little informal research into what novels are being taught most often in Contemporary Literature classes. According to about 150 course outlines posted on university web sites, many of the most "literary" 20th century novels are missing from this list, most notably Toni Morrison's BELOVED, which is by far, it seems, to most taught contemporary novel. Also missing are novels by Pynchon, Ishiguro, Atwood, Ondaatje, and Achebe to name only a few. OF course, 100 is a pretty small list...
17 - Chris Arabia
Forgive me if someone else mentioned this, but Ivan Denisovich (Russian) and Camus' The Stranger (French) were ineligible for this list because they are not English language novels. I clock in at 4 of the top 10, so what do I know.
While I preferred Cancer Ward, Ivan is probably the best choice for anyone not particularly interested in the Soviet Union.
My top 5, regardless of language:
1-Portrait of the Artist
2-Anna Karenina
3-The Great Gatz
4-Cancer Ward
5-Animal Farm
5-Hero of Our Time
Of course, 3-5 could be different.
Random Bonus Pick--Confederacy of Dunces.
18 - Julian
The list does not include
Dante and his Divine Comedey
and
Sun Tzu
Have we forgotten or are we just looking at modern....good reading is that in the quill of the writer of back then..
And yes that is a real email addy..
19 - Michelle
10 out of 100. Embarassing. However, there are some authors in there multiple times who I know I don't like - Joseph Conrad for instance. So I'll never read all those books. But I like to lists, not for working through them, but as suggestions what to read.
20 - Mac Diva
Thanks for posting this, Michelle. I may borrow it from you, okay?
Read? Most, but not all. (About 80 out of 100 at a quick glance.) Maybe I'll make a project out of finishing the list. But, some of these people are not deserving of the honor in my opinion.
Observations:
1) Too much Waugh and not enough Wharton.
2) Jack London should not be on the list. Most of the more obscure writers shouldn't be either. That would reduce it to around 85.
3) Where are Eudora Welty, Cynthia Ozick, Joyce Carol Oates, Alice Walker and Toni Morrison? Has whoever put the list together never heard of Chinua Achebe? And, no Tolstoy? Or Hardy? They're kidding, right?
4) You can't really doliterature without including plays, too.
5) Randal is right. Rodney is wrong. You can't ignore 95 percent of the human race and understand what is to be human, which is what literature is about. (See No. 3 above.)
6) There is genre confusion on the list. If sci-fi is acceptable, as suggested by including Huxley, it makes no sense to leave Bradbury and Asimov off.
I'll be thinking about this some more.
21 - Mac Diva
Oops! I credited Michelle, when I should have credited Kevin.
Speaking of Michelle, maybe I'll make a project of getting her to read Conrad.
22 - Chris Arabia
Mac D
It's English language only. That knocks out many fine folks, such as Tolstoy and, I think but don't know, Achebe (I read some of his stuff but don't recall his native language, but supposed it to be indigenous). As magnificent as a work such as Anna Karenin(a) is in English, imagine that you don't even get the full story in English! With all the endings and word orders, I'd love to be a Russian poet.
I will never understand the endless fuss over catcher. all of a sudden, it went all-time. it really did.
Someone ought to start a biography post, and maybe a translations post, and maybe a plays post...
23 - Phillip Winn
Like most ranked lists, this one causes dissension because different people interpret the criteria for inclusion differently. Should novels be based on their influence? Then certainly To Kill A Mockingbird should be included. On the quality of the writing? Then that novel is probably scratched, and that also explains why Asimov isn't included.
I'm only at 19/100, unless watching the movie counts, in which case I can add four more. ;-)
This list obviously wasn't based entirely on popularity, and yet it wasn't completely exclusionary on the basis of popularity, either.
There are far more than 100 great English-language novels, so favorites will always be left off. Some of mine certainly were. To include translations or plays or genre-exclusive work or very recent novels only makes the ranking even more difficult to resolve and less useful.
I've had less-than-positive experiences reading Pulitzer prize-winners, but most of the books I've read from this list are indeed fantastic, if sometimes laborious.
24 - Mac Diva
I have expanded on my opinion a little here.
Achebe writes in English. He has had some of his works translated into Ibo, though.
25 - Phillip Winn
Good point on Nabakov, MD, I had missed that the first time through. The genre question is a relatively easy one to answer on the surface level, but one with which I've struggled for years at a more detailed level. The example of science fiction on the list are of the "speculative fiction" wing of the sf umbrella, while Heinlein and Asimov generally wrote more hard-core technical science fiction.
I've found that asking the average reader whether or not a given book is science fiction reveals interesting results. If it doesn't have spaceships or aliens, it usually isn't considered sf, even if it deals with alternate realities or possible future events. That's a rough approximation, of course, but I've observed that books that demonstrate characters starting in one reality or time and going to another are considered sf, while books that are set entirely in that other reality or time often don't seem to be. Odd to me, but a common view.